Volcanic Theatre Pub & 1988 Entertainment Presents:
Terrapin Flyer
Friday, May 23rd 2025
Doors @ 7PM - Show Starts @ 8PM
Presale - $25 Day of - $35
Volcanic Theatre Pub & 1988 Entertainment Presents:
Call Me When Your Heart Remembers - The Acoustic Tour
Johnny Sidney Davis, Trevor Hanks, and Two Piece Face
Saturday, May 24th 2025
Entry is FREE!
Doors @ 7PM - Show Starts @ 8PM
"Johnny Sidney Davis began his career in the music industry by sneaking into a Misfits concert at age 14. Not wanting to miss one of his favorite bands and low on cash, Davis was caught by singer and Bassist Jerry Only (frontman), who “punished” him by making him work the merchandise booth at the show. By the end of the night, Davis was hooked on the allure of the independent music scene. Jerry Only left him with a promise that when he turned 18, he would have a job with them. The story could have ended there, with a great story about a kid’s favorite band throwing him a bone. Rather than let a simple anecdote become his legacy, Davis went on to form and perform in many bands and started a company Red Light Productions, a booking and management firm out of Bend, Oregon. Davis is unique in that he has spent much of his time not only cultivating Red Light Artist Agency (now 1988 Entertainment) but touring the world with various acts having been to 38 states and 2 countries internationally spending 6-8 months a year on the road for the better part of 6 years as a touring musician gaining the attention of Orange guitar amps as a now endorsed artist. He has a deep understanding of what artists are looking for both on the road and off the road, what it takes to book a successful tour or just a hometown show, ultimately because Davis has lived on both sides of the van. He has a passion for working closely with clients, pushing them to reach their full potential while learning from the pros he has had the privilege of producing concerts with, artists including Whiskey Myers, Granger Smith, Charley Crockett, Tommie Sunshine, Mike Watt and the Missingmen, Sage The Gemini, RiFFRAFF, Common Kings, James McMurtry, Rhiannon Giddens, T.I., Mickey Avalon, Carnifex, Trapt, Alien Ant Farm, Built To Spill, Eve 6, Andrew WK, Dieselboy, Downlink, Keith Anderson, Jim Adkins ( Of Jimmy Eat World), Warren G, Everlast, Chelsea Grin, Bring Me the Horizon, We Came as Romans, As I Lay Dying, The Frights, Built To Spill, David Ryan Harris, Gabe Dixon, The Game, Gift Of Gab, D.O.A., Strung Out, Unwritten Law, 68,
Together Pangea, Shawn James, the list goes on and on as Davis has produced thousands and thousands of concerts in his career and now owns and run Volcanic Theatre in Bend, OR a 11-time award-winning “best live music venue” - The Source Weekly. Davis produces 300+ concerts a year in 5 states, working with countless other music scene giants as a concert producer and talent buyer. In addition, Davis is a songwriter, recording engineer, and music producer. Like any good entrepreneur, Davis has his hand in a little bit of everything in the music industry, learning each trade in the hopes that he can best serve his potential clients, no matter what their needs.”
— Jameson Ketchum - TheCadenceinc.com
Volcanic Theatre Pub & 1988 Entertainment Presents:
ISRAEL VIBRATION, DUANE STEPHENSON & ROOTS RADICS
Sunday, May 25th 2025
Genre - Reggae
Presale - $40 Door - $47
Doors @ 7PM - Show Starts @ 8PM
BIOGRAPHY: ISRAEL VIBRATION
A living lesson in fortitude, the vocal trio of Cecil "Skeley" Spence, Albert "Apple Gabriel" Craig, and Lascelle "Wiss" Bulgin overcame adversity, illness, and poverty to become one of the finest roots groups in Jamaica's history. All three had been afflicted by polio and first became acquainted, albeit briefly, at Kingston's Mona Rehabilitation Clinic.
Of the trio, Bulgin appeared least likely to emerge a singing sensation. He spent much of his childhood at a variety of rehabilitation centers and in his teens began working for a tailor. Craig, in contrast, initially did seem destined for a musical career and for a while attended the famed Alpha Cottage School. This illustrious institution, founded in 1880 and run by Catholic nuns, is renowned for its musical training. Many of the island's greatest stars passed through its doors, including members of the Skatalites and drummer Leroy "Horsemouth" Wallace. However, Craig found the tough discipline and rigid atmosphere oppressive and ran away at 14 into a life of homelessness and poverty. After an equally bright start, Spence's life also took a severe downturn. As a preteen, he played xylophone in a youth band, with whom he appeared on national television. Although physically disabled, he was a gifted athlete and in his teens he was selected for the Jamaican Wheelchair Basketball team. But his conversion to Rastafarianism put an end to all that in 1969; he was dropped from the team and returned to Kingston. It was serendipity that he bumped into Craig soon after, and fate intervened again, to bring the pair back into touch with Bulgin.
The three teens had individually all previously converted to rastafarianism, now their shared faith and childhood experiences helped forge a strong friendship. Leaving behind their old lives, the trio now spent their time hanging out together and busking for money around Kingston. They spent the next six years singing for their suppers and by 1975, Israel Vibration was a vocal force to be reckoned with. However, their initial attempt at recording was abortive as the one track they did cut, the Ernest Hookim-produced "Bad Intention," never saw release. The following year, an answer to their prayers arrived when members of the Rastafarian religious group the Twelve Tribes of Israel agreed to finance a single by the trio.
Israel Vibration went into Treasure Isle studio with producer U- Booth and recorded the single "Why Worry" and a new version of "Bad Intention" for its flip. The group's exquisite dread sound and militant cultural themes made an instant impression and the trio now found themselves on-stage opening for the likes of Bob Marley and Dennis Brown. In 1977, Israel Vibration began work on their follow-up, "The Same Song," with producer Tommy Cowan. By the time they were done, the group had another hit song and a debut album of stunning proportions, which was titled after the single. A de rigueur dub version, Israel Tafari, accompanied the full-length and was equally powerful. On the strength of these, the trio was signed to the British EMI subsidiary Harvest, who released Same Song in Britain. 1979 brought the Unconquering People album, and another popular single, "Crisis." And even if this set was not quite as dread as its predecessor, tracks like "Mr. Taxman" and "We a de Rasta" remain classics of cultural roots. Not surprisingly, Israel Vibration went down a storm at that year's Reggae Sunsplash.
The trio's deeply devotional songs, cultural themes, inspirational lyrics, and original take on the roots style had struck a chord with reggae fans around the world. Thus, it was a surprising decision that Israel Vibration recorded their next album, 1981's Why You So Craven, with legendary dancehall producer Junjo Lawes. In many ways, it was a failed venture and the trio was so dissatisfied, they walked out before the sessions were complete. Bringing in the vocal trio the Tamlins, Lawes carried on without them and the resulting album, while not a total disaster, certainly lacked the spirit of its predecessors. Even an avid response at 1982's Reggae Sunsplash could not convince the trio that their future lay in a Jamaica where dancehall now reigned supreme (Live at Reggae Sunsplash, a split album from Israel Vibrations and the Gladiators, bears witness to their performance). Thus they relocated to New York City, perhaps believing that the large immigrant community could sustain them, or that America was now ready to embrace roots. They were wrong on both counts. A few occasional live appearances aside, the group swiftly disappeared from view. All three attempted solo careers, but only Bulgin made it on to record; his Mr. Sunshine album paired him with the Freedom Fighters Band.
In 1987, the trio decided it was stronger together than apart, re-formed, and approached the RAS label. Although labelhead Doctor Dread had shown no interest in their solo efforts, he was enthusiastic about a reunion and quickly signed them to RAS. Strength of My Life appeared the following year, and aided by the Roots Radics, it found Israel Vibration as vibrant as ever.
The trio now settled down for the long haul, and although their sound was no longer on the scene's cutting edge, they continued putting out strong sets. 1990 brought three albums, Praises, its dub companion Dub Vibration, and Israel Dub, drawn from the Strength of My Life set. The next year's Forever found the trio in a surprisingly comic mood, taking aim at themselves, dancehall, as well as contemporary issues. In 1992, a taste of the Vibrations' live power was delivered up on Vibes Alive, which was recorded at a show in Santa Cruz the previous October. Besides showcasing the trio's unique vocal styling, the album captures the Roots Radics at their fiercest. 1993's IV, and its dub companion IV Dub, gave heart to all those who believed that roots was fast becoming little more than a world lovefest. The album's militancy, notably on "Naw Give Up the Fight," proved the trio's own passionate cultural concerns and dread roots were not fading. The equally powerful On the Rock followed two years later and was also accompanied by a dub set.
Then, in 1996, the group released their first single in years, the infectious "Feeling Irie," taken from their new album, Free to Move. This attempt to push the band's profile higher into the mainstream came to naught, the trio had already built up a loyal fan base and remained a successful live act, as 1997's Live Again proved. Unlike its live predecessor, this time around Israel Vibrations packed the album with crowd-pleasing favorites.
It was nine years since the trio had re-formed and signed to RAS; they'd been recording and performing steadily since, but Craig was no longer happy with their current path left the group in 1997 to pursue a solo career. His debut album, Another Moses, featured his own backing band, the Zionists.
Continuing on as a duo, Spence and Bulgin reappeared in 1999 with a new studio album, Pay the Piper, and proved that Israel Vibrations would not be defeated by this defection. Jericho following hot on Piper's heels in the new year, while 2000 also saw the release of the limited-edition Power of the Trinity three-CD box set; Dub Combo appeared in summer 2001. Acknowledging Craig's longtime contribution to the group, the set is evenly divided between the trio, with each disc devoted to one individual member's greatest compositions. Israel Vibrations's career shows no signs of slowing, and the group has firmly carved a secure niche out of what once seemed an impenetrable surface. Their popularity seems assured, and they remain a vibrant live act and an always intriguing studio group.
Volcanic Theatre Pub & 1988 Entertainment Presents:
Thursday, May 29th 2025
Doors 6:30 PM Film starts 7:00 PM
No Man’s Land Film Festival (NMLFF), the premier adventure film festival for women and gender non-conforming athletes and storytellers, announces its 2025 World Tour succeeding its 10th Annual Flagship Film Festival. Presented by Mountain Hardwear with additional support from deuter, Fat Tire, and Chronicle Cinema, NMLFF’s World Tour showcases 6 unique film programs and 60 films.
PROGRAM I SYNOPSIS
Full Spectrum (4:18)*
Director + Editor: Erin McGrady
Recipient of the NMLFF 2024 Genderqueer Filmmaker Grant
Full Spectrum centers the experiences of Caroline Whatley, (she/her) an autistic, queer runner based in Asheville, North Carolina, who was diagnosed with autism at the beginning of 2024. In this short film, Caroline opens up about what it’s like to find out you are autistic as an adult and how the diagnosis has impacted her.
Echoes (5:17)*
Director: William Binamé
Almost one year after a disastrous trip in the Chilcotin Mountains which left Celeste Pomerantz with a dislocated elbow and broken bike, she finds herself exploring a different kind of challenge: how to get your mind back into a confident space to continue to explore these longer and dangerous bike adventures.
Walking in Your Footsteps – Virginie (12:28)*
Directors + Producers: Louise Thaller, Stanislas Giroux
Virginie's love of the mountains began when she was a young girl, following in her father's footsteps. A filial and roped-up relationship woven of high-mountain adventures, alongside a reassuring, free-spirited and cheeky father figure, shattered in an instant by a serious paragliding accident. Deprived of her only rope companion and caught up in the whirlwind of two motherhoods, a weakened marriage and a job that no longer satisfied her, Virginie drifted away from the mountains and the ties that still bound her to her father, to the point of sinking . It's to the heights that she turns to find the strength to rise again, in the hope of rebuilding her bond with her father and finding her own path in life, finally emancipated. This portrait is part of a series entitled 'Altitudes' which explores the many facets of the relationship between man and mountain across the world and cultures.
Beyond the Finish Line (15:41)*
Director: Matthew Williams
Beyond the Finish Line follows the journey of Marisa Pasnick as she prepares for the grueling Bigfoot 200 race while facing the challenges of an eating disorder. Marisa's story is a testament to resilience and strength as she navigates the dual paths of training and recovery. This film aims to destigmatize eating disorders, highlighting that recovery is ongoing and that support from the community is crucial. Join us as we witness Marisa's journey and advocate for greater awareness and understanding of eating disorders.
Mataperra (21:31)*
Director: Rachel Trudeau
Yelda embarks on a quest that drives her to achieve much more than her climbing dreams. She aspires to make a mark in history by becoming the first Cuban to conquer three legendary ascents.
NISEI (7:39)*
Director: Iz La Motte
WILDEST ADVENTURE AWARD, 2025
NISEI (nee-say) is a creative exploration of the biracial experience of skier, Sierra Schlag. While in Japan, she is seen as white and while in America, she is seen as Japanese and never accepted as her full self. Through the lens of skiing, Schlag finds herself on a journey to self-discovery within the two cultures she has ties to. Nisei: a person born in North America whose parent(s) were immigrants from Japan.
Pedal Pedal Pedal (17:17)
Director: Justin Diamond
In this short film, cyclist Lindsey Stevenson reflects on balancing motherhood and cycling, from pregnancy to childbirth to her return to racing. She shares how resilience, adaptation, and persistence have shaped her experience and hopes to instill these values in her children. Her comeback takes place at the Wasatch All-Road, a grueling gravel race, where she tackles the infamous "Wall." As Lindsey pushes through, she proves that cycling is more than just a race—it’s a testament to facing life’s hardest moments head-on.
Jamie (18:36)*
Director: Darcy Hennessey Turenne
As a pioneering climber of the 1970s, Jamie Logan quietly ticked off first ascents on some of North America’s most treacherous climbs. But looking death in the face on the side of the mountain was nothing compared to the secret Jamie held that threatened to shatter her entire world. It was a secret so terrifying that Jamie stayed silent for over 60 years. Jamie Logan — the tough, dominant, successful climber and architect — wanted to be a woman. At age 69 Jamie announced to her wife and four grown children that she was going to begin the transition to becoming the woman she had always wanted to be. Now, at age 76, and living as a woman, Jamie is living a fulfilled life with more love and connection that she has ever experienced. Her climbing community has deepened, her relationship with her wife has transformed (for the better!), and her sense of self has never been so strong...nor has her sense of purpose.
Jamie wants to let other trans people know that life can be OK. In fact, it can be better than you could ever imagine! And that’s what this short film is about: Jamie’s journey to allow herself to be herself.
Let My People Go Skiing (17:47)*
Director: Ellen Bradley
BEST OF FEST AWARD, 2025
Confronted with the frustration of false narratives and intergenerational trauma that surround her, Tlingit skier and scientist Ellen Bradley returns to her traditional homelands in Southeast Alaska. Here, she uses skiing as a tool to reclaim her connection to the land she belongs to. The abundance and biodiversity of Lingít aaní (Tlingit land) have shaped the people of the tides since time immemorial, molding all aspects of traditional and contemporary Tlingit life. Meanwhile, the outdoor industry depicts Alaska as a resource-rich landscape waiting to be conquered and exploited.
Just like the ancestors of Ellen’s paternal clan, the Dog Salmon, have always done, people are meant to live in a reciprocal relationship with the land in gratitude of the abundant life they are gifted. Weaving ancestral knowledge, scientific understanding, and passion for her sport, we follow Ellen’s journey to help her community reclaim its place at the forefront of the stories told about their homelands. By dismantling barriers to access to snowsports for Alaska Native youth, she empowers a generation to reclaim their relationship to the land in hopes that the mountains can teach them what it will take to endure the fight to protect their culture, language, and home forever.
Volcanic Theatre Pub & 1988 Entertainment Presents:
Polyrhythmics - Goose After Show
Friday, May 30th 2025
Presale - $20 Door - $25
Doors @ 9 PM - Show Starts @ 10:30 PM
Polyrhythmics: 15 Years of Funk, Soul, and World-Influenced Grooves
Seattle-based Polyrhythmics are celebrating 15 years of sonic exploration with the release of their highly anticipated new album, Life from Below (2025). Since forming in 2010, this seven-piece powerhouse has redefined instrumental music with a sound that blends funk, soul, psychedelic rock, R&B, and Afrobeat into a kaleidoscope of rhythm and groove. Known for their dynamic live performances and innovative compositions, the band has earned a reputation as one of the most captivating acts on the contemporary music scene.
Polyrhythmics emerged from the rich creative soil of Seattle’s eclectic music community, releasing their self-titled debut album in 2011. Since then, their discography has grown to include fan-favorite albums such as Octagon (2015), Caldera (2017), and Man from the Future (2020). Each release showcases their fearless exploration of genre boundaries and their commitment to crafting vibrant, deeply textured soundscapes.
This year’s Life from Below marks an exciting new chapter for Polyrhythmics, delivering a fresh collection of grooves infused with the bold creativity and signature tight-knit musicianship that fans have come to expect. As they celebrate their 15th anniversary, the band reflects on a decade and a half of musical evolution, countless miles on the road, and a loyal community of listeners that continues to grow.
Over the years, Polyrhythmics have graced stages at major festivals and renowned venues across the United States and internationally, sharing bills with legendary artists while carving out a distinct space in the global funk and soul scene. Their music—equal parts danceable, thoughtful, and immersive—offers a rich listening experience that draws from the roots of American funk and soul while incorporating global influences.
With Life from Below, Polyrhythmics look forward to the next chapter of their journey—pushing boundaries, creating new grooves, and bringing their celebrated live energy to audiences around the world.
Volcanic Theatre Pub & 1988 Entertainment Presents:
The Teacher Show: Comedy from the Classroom
Hosted by Don Gavitte
Saturday, May 31st 2025
Presale - $25 Door - $30
Doors @ 7PM - Show Starts @ 8PM
It makes sense that some of our best local comedians are teachers—the profession definitely requires an ironclad sense of humor. Grab a hall pass and head to this stand-up showcase, which will focus on classroom dynamics relayed by real-life educators and funny folks Katie Nguyen, Todd Basil, Tina Hogstrom & a few special guests. Created and hosted by Don Gavitte, the show has been described as a “solution for teacher burnout” by NPR. Expect strong content, so leave the kids at home and make it an "adult" field trip.
Volcanic Theatre Pub and 1988 Entertainment Presents:
CLICHÉ PRIDE KICK OFF PARTY
Supported by Jenn + Juice
Friday, June 6th 2025
Presale - $15 Door - $25
Doors @ 8 PM
THIS EVENT IS 21+
Volcanic Theatre Pub & 1988 Entertainment Presents:
OVERTIME: The Long Way Home Tour w/ KRIZZ KALIKO
support from Brandon Jordan accompanied by guitarist Scott Bartlett of Saving Abel, Big Murph, DurtE, Chandler P, and Exigh
Sunday, June 8th 2025
Doors @ 7PM - Show Starts @ 8PM
Independent music powerhouse Overtime embarks on The Long Way Home Tour, set to kick off in support of his upcoming album of the same name. Backed by The Blue Collar Soldiers Band, Overtime will bring his signature blend of country, rock, and rap to cities across the U.S., offering fans a raw and high-energy live experience.
Joining Overtime as a special guest is the legendary Krizz Kaliko, whose versatile sound and captivating stage presence have earned him a loyal following worldwide.
The tour also features performances from a strong supporting cast: Brandon Jordan accompanied by guitarist Scott Bartlett of Saving Abel, Big Murph, DurtE, Chandler P, and Exigh — each contributing their own unique sound to an unforgettable lineup.
The Long Way Home album and tour represent the perseverance, passion, and grit it takes to survive and thrive as a modern independent artist. It’s more than a show — it’s a tribute to the long road that leads home.
Tickets and VIP Meet & Greet packages are available at www.OvertimeMusic.com
Parallel 44 Presents FRUITION live in Bend, OR at Volcanic Theatre Outdoor Stage on Thursday, June 12, 2025. We're proud to have been following, supporting and adoring the music and awesome humans of FRUITION for their entire 15 year history and we are so excited to finally get them back to Bend again. It's always a magical and kismet experience. Please join us for this heartwarming and passionate evening of songs and togetherness. Gates open 6PM. Show starts at 7PM w/ opening act FERGUSON.
About FRUITION & How To Make Mistakes:
Three songwriters. Five bandmates. More than 15 years together, building a grassroots audience with a combination of stacked vocal harmonies and collaborative, song-driven Americana. Fruition is proof that there's strength in numbers.
How To Make Mistakes, the band's first studio album in four years, showcases a reinvigorated group at the peak of its powers. This is American roots music at its broadest and boldest — a melting pot of rock, soul, folk, and pop. What began as a busking string band has evolved into something more eclectic, rooted not only in the unique delivery of three different singers, but also the cohesion of five friends who prefer their music to be homegrown and honest… mistakes and all.
"This is the first studio album that we've recorded entirely live," says Jay Cobb Anderson, who shares frontperson duties with fellow multi-instrumentalists Mimi Naja and Kellen Asebroek. "We recorded 17 songs in 7 days, with everybody playing together in real time, and we didn't overdub anything. The songs sound honest and real. They sound like us."
Co-produced by the bandmates themselves, How To Make Mistakes restores the momentum that Fruition nearly lost in 2020, back when Covid-19 forced them off the road and into quarantine. At the time, they'd been playing some of the biggest shows of their lives, crisscrossing the country in support of their most recent release, Broken At The Break Of Day. The album's lead single, "Dawn," had even become a hit on Americana radio. Years of relentless work had taken a toll on Fruition's mental health, though, and cracks were starting to show in the band's foundation. "We were so deep into the tour hustle that a lot of our cohesive vision might've gotten lost," Naja admits. "Like anybody in any work force, we'd all learned to put our heads down and keep moving forward, even if that wasn't the best thing for us."
When they reunited one year later for a long-overdue band practice, they took stock of everything that had changed during those 12 months apart. Some members had started families. Others had gotten sober. All of them had made the conscious decision to return to music. Fruition funneled that growth and maturity back into their new songs, which doubled as rallying cries for a band eager to chase down success once again. "We all had the time to ask ourselves some big questions like 'Do we want to keep doing this?'" Naja adds. "The fact that we reunited in such a reinforced way after all that time apart… I think it says a lot about who this band truly is."
And who, exactly, is Fruition? On songs like "Lonely Work," they're a folk-rock band powered by pedal steel and lovely, loping tempos. On "Scars," they're a group caught halfway between the earthy textures of Americana and the spacey sweep of something far more ethereal. On "Get Lost," they're a group of adventure seekers looking to leave the big city behind, stacking their electric guitars into harmonized solos along the way. Fruition's acoustic roots are evident throughout How To Make Mistakes, too, from "Can You Tell Me" — a rough 'n' rowdy folk song laced with resonator guitar, mandolin, and upright bass — to the campfire ballad "Never Change." How To Make Mistakes embraces the full spread of the band's past and present, mixing unplugged instruments with electrified arrangements, creating a sound suitable for arenas one minute and front-porch picking parties the next. It's the widest net Fruition has ever cast, and it's also the truest representation of the band's wide, all-encompassing sound.
"When I think about this record, the word that comes to mind is 'trust,'" says Asebroek. "We trust each other. We trust the strength of our songs. We've come to really know ourselves as individuals and as partners, and instead of trying to prove something to the outside world, we're trying to show the world that we are who we are, and we love ourselves."
When Fruition formed in Portland in 2008, the band's three songwriters earned their first fans by busking together on Oregon's street corners. Those informal gigs were raw and real, filled with all the honest imperfections of a live performance. Hundreds of shows later, How To Make Mistakes revisits that flaws-and-all approach, using it as the foundation for the most definitive album of the band's career. Tracked live at eTown Hall's recording studio in Colorado and engineered/mixed by the band's own drummer, Tyler Thompson, it's an album that embraces not only the in-the-moment immediacy of a live band, but also the love, longing, loss, and sheer life lived during the band's 15+ years together.
"If you listen closely," Anderson points out, "you can hear tempos fluctuate. Maybe you'll have somebody finger-picking slightly out of time. But that's part of the whole idea of learning to embrace your true identity. We're a band that would rather lean into a mistake than use studio tricks to erase it. With How To Make Mistakes, we wanted to say, 'This is us, with all of our flaws and all of our strengths.'"
All of their strengths, indeed. Collaborative, consistent, and musically cohesive, How To Make Mistakes is the sound of a band rededicating itself to the long haul.
About FERGUSON:
FERGUSON is a self-proclaimed high school dropout from a one stoplight town outside of Nashville, he embarked on a solo career after he formed and dissolved his high school band Kingston Springs, when they were on the verge of success, with shows at Austin City Limits Music Festival, Lollapalooza, Bonnaroo lineup and a major label deal on the table.
Headstrong with a solo vision, FERGUSON's self-released his debut album State Of Gold, which he claims he recorded in his moms basement (some of it after he accidentally locked himself inside.) Against the odds, it became a breakthrough indie hit, with BILLBOARD comparing him to the "The Beatles and Brian Wilson" and SOUND OPINIONS praised his "Wonderful rootsy psychedelia meets country, that transports you to another world of the best psychedelic rock."
Precious Byrd is an award-winning dance party band from Oregon known for electrifying performances that blend rock, funk, soul, and pop into unforgettable shows. For over a decade, they’ve packed dance floors at weddings, festivals, and corporate events across the Pacific Northwest and beyond, performing high-energy covers and originals. With a deep love for music and a loyal fan base known as “the flock,” Precious Byrd brings unmatched energy and lasting memories to every stage. Come celebrate the release of their latest album “Floorplay” and hear the new songs live, many for the very first time!
Volcanic Theatre Pub & 1988 Entertainment Presents:
Hippie Death Cult w/ -ether
Saturday, June 14th 2025
Doors @ 8PM - Show Starts @ 9PM
Hippie Death Cult -
Hippie Death Cult's journey through shameless and triumphant artistic expression has led them to become a vibrant force in the realms of psychedelia and riff-heavy rock n' roll. Throughout their formative years, the band underwent what proved to be a very significant evolution, transitioning from a 4-piece to a more cohesive and harmonious power trio. This lineup currently consists of guitarist and founder Eddie Brnabic, vocalist and bassist Laura Phillips, and drummer Harry Silvers. In 2019, Hippie Death Cult caught the attention of Cursed Tongue Records, who signed them for the release of their highly anticipated album "111." The record was met with widespread acclaim, solidifying their place in the music scene. Building on this success, the band made another significant move in 2021 by signing with Heavy Psych Sounds Records. This partnership resulted in the release of their album "Circle of Days" and a split release titled "Doom Sessions Vol.5" with label mates High Reeper. Both full-length albums soared to the very top of the Doom Charts as well as many “Album Of The Year” lists, further cementing their status as a rising force in the genre. Beyond their studio work, Hippie Death Cult is renowned for their electrifying and passionate stage performances. Their captivating stage presence have taken them on tours across the United States, Canada, and Europe, where they have garnered a dedicated and growing fanbase.
-ether -
-ether is a shoegaze band from the Pacific Northwest, featuring Jay Davis (bass, guitar, vocals), Cosmia Way (bass, guitar, vocals), Charlemagne Peatross (guitar), and Logan Anderson (drums). Originally known as DEAD NETTLE, they evolved from punk roots to create a unique blend of atmospheric ambient noise and engaging aggression.
Their music, influenced by early Sonic Youth, They're Gutting a Body of Water, and Bardo Pond, delves into themes of mental health and raw emotions. Jay and Cosmia’s rotation between leading vocals and instruments brings a dynamic layer to their sound.
Having performed across the PNW and received attention for their tape-recorded EP, -ether is now focused on their upcoming album release and PNW tour.
Volcanic Theatre Pub & 1988 Entertainment Presents:
Barrington Levy
Sunday, June 15th 2025
Genre - Reggae
Presale - $30 Door - $35
Doors @ 7PM - Show Starts @ 8PM
One of the great success stories of the 80’s, arrived on the dancehall scene and swiftly remodeled it in his own image. Although numerous DJ’s and vocalist would rise and fall during this decade, Levy was one of the few with staying power, and he continued releasing massive hits well into the 90’s. Born in Kingston, Jamaica, as a youngster, Barrington Levy formed the Mighty Multitude with his cousin Everton Dacres.
They started off playing the sound systems and cut their first single, “My Black Girl,” in 1977. All of 14, Levy broke out his own the next year and recorded his debut solo single, A Long Time Since We Don’t Have No Love.” It didn’t have much of an impact, however the teen’s appearances in the dancehalls were eagerly awaited events. It was at one of these that Levy met former singer turned producer Junjo Lawes and Mew York-based producer Hyman “Jah Life” Wright. The pair took the youth into King Tubby’s studio, accompanied by the Roots Radics, and recorded a clutch of cuts. The first fruits of this union were “Ah Yah We Deh,” quickly followed by “Looking My Love”, and “ Wedding Ring Aside.” Success was immediate, but it was the mighty “Collie Weed” that really cemented the teen’s hold of dancehall.
“Shine Eye Girl”, was a smash follow up, and the young Levy was now in great demand. A stream of singles followed “Jumpy Girl”, a lovely version of Horace Andy’s “Skylarking”, “Reggae Music”, Levy joined forces with producer Alvin Ranglin for another sting of hits—“Never Tear My Love Apart,” “Jah”, “You Made Me So Happy,” and “When You’re Young and in Love.”Levy’s rich vocals were made for duets, both with other vocalists and DJ’s , and it wasn’t long before the young star was also recording collaborative singles. Toyan was a great foil on “Call You on the Phone””, he paired with Jah Thomas on “Moonlight Lover” and “Sister Debby”, and joined forces with Trinity for “Lose Respect” and a follow-up, “I Need a Girl” in 1980. That same year, Levy made a sensational appearance at Reggae Sunsplash, then returned in 1981. During these early years, the singer seemingly spent all of his time between the recording studios and the dancehalls. Amidst the deluge of singles, four albums arrived as well between 1979 and 1980. First up was Bounty Hunter, which boosted three smash singles—“Reggae Music”, “Shine Eye Girl”, and “Looking My Love” –and a clutch of other tracks that were just about as good. In Britain, the Burning Sounds label released Shine Eye Gal, also a hits heavy package which included the title track-track, “Collie Weed”, and “Ah Yah We Deh.” It was swiftly followed by the mighty Englishman, an absolutely fabulous record which was overseen by the unbeatable studio grouping of Junjo Lawes and two of King Tubby’s protégés—Scientist and Prince Jammy. A veteran of the clubs, he brought the spontaneity of the DJ to his records while returning vocals back to the sound system scene which had been purely the realm of the Djs.
Utilizing old roots rhythms revitalized by the Radics, and giving the songs a hard, but danceable edge, Lawes and Levy together helped establish a whole new dancehall sound.
1980’s Robin Hood merely affirmed that everyone in Jamaica already knew: That Levy was now the biggest star on t he island, with a talent that was unbeatable. Or more accurately, he was king of the singers, because ruling beside him was DJ Yellowman, another Lawes’ discovery, that was brought to him by Barrington Levy. Robin Hood was as big as its predecessor and was beginning to have an impact in Britain as well, where both it and Englishman had been released by the Greensleeves label. Not surprisingly, both albums heavy rhythms would provide the building blocks for the Scientist V Prince Jammy dub clash album. Unfortunately, Levy’s very popularity was now beginning to have some serious drawbacks. Even before stardom arrived, the singer had noticed with delight fans tapping his sets at the dancehalls, and these tapes were coming back to haunt him. Suddenly, the shelves were buckling under the weight of the bootlegged albums, featuring not just older pirated live material, but also unreleased outtakes and recycled older singles. In response, Levy didn’t release a new album for two years, but in the meantime, new singles more then made up for it. From 1980 came such hits as the haunting Lawes-produced “Mary Long Tongue” producer Linval Thompson’s “Too Poor,” and a string if hits cut with Karl Pitterson, including “ I Have a Problem” and “Even Tide Fire a Disaster”. And as the decade progressed, the flood hits continued. “I’m Not in Love”, “You Have It”, “Tomorrow Is Another Day”, “Robberman”, “BlackRose” “My Women”, and “Money Move” were just a small number of the hits released between 1981 and 1983, with the latter song the biggest smash of the batch. Levy even tried his hand at self-production, recording such excellent songs as “In the Dark” and “Love of Jah.” Amongst there were fabulous singles recorded for Joe Gibbs, “My Women” included. The Reggae Vibes album would bundle up Levy’s best with the producer, s well a number of cuts from fellow dancehall singer Sammy Dread.
1983 finally saw the release of Levy album “Money Move”. The latter was excellently overseen by George Phang and boasted a stupendous group of rhythms that Sly & Robbie had specifically made for the producer. In the U.K, the burning sounds label also released Hunter Man, a greatest-hits collection. But the hits were still coming on strong; in 1984 none were bigger then Levy and Jah Screw produced “Under Mi Sensi.” The pair would also record a new album that year, Here I come, whose title-track would the top 50 in the U.K The album itself took Britain by storm and ensured that Levy walked away with the best Vocalist Award at Britain’s Reggae Awards. It was also these songs that secured his spot in the Guinness Book of World Records, as the first reggae artist to hold both 1st and 2nd place slots in the charts. The same year, the singer also joined forces with another young singer who was tearing up the dance floors, Frankie Paul, for the intriguing sound clash set Barrington Levy meets Frankie Paul. 1985 brought Prison Oval Rock (the Volcano Jamaican label release, and not to be confused with the RAS label’s U.S. compilation of the same title), which found the singer joining forces with Lawes again, for another roots-fired set equal to its predecessors. It had been six years since Levy burst onto the scene with all the force of a nuclear weapon. Now in his early twenties, the singer’s output significantly began to slow. He did return to Reggae Sunsplash in 1987 and would remain a top attraction at the festival until 1985. He also released “Love the Life you Live” in 1988, a rather patchy effort compared to previous releases. It was to be his last new album until 1991.But Levy wasn’t a spent force yet. Before the 80’s were over, he scored tow more hits with “My Time” and “Too Experience”, both under the aegis of producer Jah Screw, and both covers of songs written by Bob Andy (ex-Paragons and also of Bob & Marcia fame).
Signing with MCA in t he U.S., Levy attempted to cross over into the North American market with 1983’s Barrington. Produced by Lee Jaffe, the Album featured a re-recorded “Under Mi Sensi”, and boasted strong songs as “Murderer” and “Vice Versa Love” and “Be Strong”, a major hit in the Caribbean and South America. However, the relationship with MCA was not a happy one and Levy quickly departed. Meanwhile, back in Britain, the singer was chalking up another hit with “Work”. In 1994, Levy was joined by Beenie man on the singles “Two Sounds” and “Murderer”. Both soon reappeared as fiery jungles remixes, with “Sensi”, in particular, mashing up the dance floors.
Under Jack Scorpio’s direction, the singer next paired with Mega Banton for “She’s Mine”. Jah Screw took these collaborations to the next logical step, and recorded an entire album and recorded and entire album of shared songs, Duets (this is its American title and it was released in the U.s. by RAS, and in the U.K., Levy’s relationship with Greensleeves continued, where the album there was titled Barrington Levy’s DJ Counteraction). From this set, “Living Dangerously” with Bounty Killer rocketed up the Jamaican charts and set pace at clubs around the world . Time Capsule came hot on its heels in 1996, a short album (a mere eight tracks plus five dubs), which more than made up for lack of quantity with quality.Over the next two years, his circle of friends was obviously growing, and 1998’s re-make of “Murderer” featured such diverse artists as rap master Snoop Doggy Dogg and Southern California punk-reggae heroes Long Beach Dub All-Stars. In 2003, his debut album Bounty Hunter was reordered and reissued as Moonlight Lover on the Burning Bush label. Two years later, the Sanctuary label collected his recordings with Henry Lawes and Alvin Ranglin for “Love Your Brother man: The Early Tear”. Numerous compilations have continued to appear featuring much of the singer’s greatest work.He was also featured in 2000 on rapper on Shyne’s debut album “Bad Boyz”, with two singles “Bad Boyz” which was number 1 on the hip-hop charts, and “Bonnie and Shynz.
Barrington Levy continues to tour extensively, selling out shows all over the world. He is currently working in an album which will be titled “Its About Time” and he has said it will be his last. This album will feature artist like Damion Marley, Buji Banton, Beres Hammond, Heavy D and a lot more surprises. He expresses love and appreciation to all his fans across the world, and looks forward to seeing you in future events.
Volcanic Theatre Pub & 1988 Entertainment Presents:
Jack Symes w/ Jacksonport
Genre - Folk
Wednesday, June 18th 2025
Doors @ 8PM - Show Starts @ 9PM
JACK SYMES
This is Jack Symes here writing this bio about Jack Symes. I was born and raised in Pasadena, CA and after stints in the Bay Area and New York, I’m back in my hometown of LA. I’ve spent the better chunks of the last 9 years making records and touring, and here we are once again, buckling up for a little ride through the Western US. I’ll be touring with my dear friend and collaborator John Fatum who produced a new record of mine coming out this summer; we’ll be performing duo guitar and drums, and he’ll also be opening the shows under his project Jacksonport.
We’ll be performing songs from my past albums as well as this new to-be released record. I think it’s gonna be a blast. Stoked for this summer run, hope to see y’all soon. xo, Jack
JACKSONPORT
Jacksonport’s fourth studio album, “Ting Ting” is new territory for Chicago-born singer/songwriter John Fatum. It’s as if the golden hour warmth of “Dusted Beauty” (2023, Ay Caramba Records Etc.) gave way to the deep blue twilight of dusk, swaying between the magic of night and the ubiquitous melancholy of adulthood. Co-producing with Fatum were GRAMMY nominated engineer Adrian Olsen (Michael Nau, Twain, Buck Meek) who encouraged Fatum to sing from behind the drumset, his first musical home, and GRAMMY nominated multi-instrumentalist Bridget Kearney (Lake Street Dive, Ed Sheeran, Aaron Dessner). Olsen piloted a soundscape that enhanced the elegance of each player’s long-developed musicality, while Kearney lent her melodic sensibilities and keen ear for arrangement to match the strength and nuance of Fatum’s songs.
“Ting Ting” presents a new chapter in the Jacksonport sound, one of maturity, meaning in the quiet and small, and the frank acknowledgment that we all have times where we don’t want to get out of bed.
Volcanic Theatre Pub, 1988 Entertainment Presents, & 4 Peaks:
4 Peaks Preparty w/ Dizgo & TEB
Thursday, June 19th 2025
Genre - Jam/Groove/Soul
Presale - $15 Door - $20
Doors @ 8PM - Show Starts @ 9PM
Dizgo -
“DIZGO has one of the most operative names in the jamband scene, evoking a transcendence of genre: a dizzier disco, filled with a hodge-podge of genres, styles, and technical influences while still, at it’s core, a dance party.” -> Space Tapes
Dizgo redefines the live experience by blending jamtronica with funk, deep-groove soul, and psychedelic rock, taking the audience on a musical journey that includes intricate compositions and extended improvisation. The result is something both danceable and introspective: soulful vocals, interweaving analog synths, and shredding guitar all which join forces under the banner of Dizgo.
The band has played stand out performances at festivals such as Peach Music Festival, Summer Camp Music Festival, Resonance Music Festival, Werk Out Music Festival, Sonic Bloom Music Festival, and much more and has supported acts such as Goose, Pigeons Playing Ping Pong, Papadosio, The Main Squeeze, Aqueous, Lespecial, and more.
TEB -
The musical collective TEB—known formerly as the Travis Ehrenstrom Band—transcends boundaries while blending funky fusion-rock jams with the soulful essence of singer-songwriter Travis Ehrenstrom. TEB's sonic landscape defies easy categorization. The music blends unexpected turns with open-ended intentions, allowing the band to explore and create in the moment.
A decade of playing together has allowed TEB to produce a rich tapestry of live shows and memorable moments, as well as a dedication to the art of musical expression. What started as random practices and stands at local breweries has moved to multiple recordings and slots at festivals such as Sisters Folk Festival, 4 Peaks Music Festival, Cascade Equinox, Bend’s Fall Festival, Cruxapalooza, and Oktoberfest.
Volcanic Theatre Pub & 1988 Entertainment Presents:
Balkan Bump - outside in the Volcanic courtyard
Support TBA
Friday, June 20th 2025
Genre - Global Electronic
Presale - $22 Door - $28
Doors @ 5PM - Show Starts @ 6PM
Directly after Balkan Bump, stick around and catch the Widdler inside the Volcanic starting at 10 PM. Save money and buy a day pass for the whole evening of music.
Balkan Bump -
Balkan Bump is the global electronic music project orchestrated by trumpet player, producer and ethnomusicologist Will Magid.
Balkan Bump’s music fuses heavy electronic production with global music influences including traditional Balkan brass melodies, Middle Eastern sounds and American hip hop. The Balkan Bump live show highlights Magid’s expertise as an orchestrator, ranging in size from a solo performer to a 12-piece band featuring a menagerie of global instruments including sitar, saz, oud, clarinet and trumpet. The live performance’s popularity has brought the project to global renown with performances at the world’s biggest music stages including Coachella, Bonnaroo and Lightning In A Bottle, as well as beloved jazz, blues and world music festivals including Harvest Music Festival and CA WorldFest, and numerous appearances at Colorado’s famed Red Rocks Amphitheatre.
Balkan Bump debuted with the single “Aymo” alongside famed Slovenian producer Gramatik and American hip hop royalty Talib Kweli. Gramatik quickly championed the new project, unveiling Balkan Bump's live show on his Re:Coil Tour and releasing Balkan Bump’s debut EP on his Lowtemp label imprint. Since then the Balkan Bump project has gone on to collaborate with global and live music projects Beats Antique and Moon Hooch; international electronic music superstars CloZee, Fakear, & Manic Focus; and American hip hop icon The Gift Of Gab (Blackalicious). Balkan Bump has been featured in Billboard Magazine, NPR’s The World, The San Francisco Chronicle and Magnetic Magazine. In 2020 Magid curated a series of global music mixes for Los Angeles-based Dublab Radio under the Balkan Bump alias.
As a solo artist, Will Magid has collaborated and performed with artists including Bonobo, Erykah Badu, Pretty Lights, and soul music legend Solomon Burke. He has led numerous jazz and global music outfits including his eponymous soul-funk band’s seminal Alligator Spacewalk album in 2016, and the 2017 neoclassical exploration Lunar Conquest Suite. His music has been featured in campaigns for global brands including Warner Brothers, Uber, Porsche, HP, Vogue, GoPro and Ubisoft. Magid graduated from The UCLA Herb Alpert School of Music with a degree in Ethnomusicology
Volcanic Theatre Pub & 1988 Entertainment Presents:
The Widdler
Support - TBA
Friday, June 20th 2025
Genre - Electronic Dance
Presale - $22 Door - $30
Doors @ 10PM
Show up at at 6 PM to catch Balkan Bump outside in the courtyard before the Widdler. Save money and buy a day pass for the whole evening of music.
Born in Tel Aviv and living in Austin, TX, The Widdler is widely recognized as an innovator and originator of dub sound. Constantly practicing, The Widdler incorporates mix sessions into his daily routine, which translates to his flawless performances at shows; Taking influence from various genres of music and lifestyle, his tunes come in all shapes and colors. From the chilled reggae dubs and blue mood atmospheres to the mean menacing throbs of bass and percussion, The Widdler knows how to weave his musical roots with his production that makes each set entirely special. Sit back, light a spliff, and enjoy the sounds of The Widdler.