upcoming live events

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March 29, 2024
Moon Walker w/ Mom Rock
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Moon Walker w/ Mom Rock

Moon Walker -

“Moon Walker Has A Lot To Say”

Harry Springer may compose, produce and perform all of Moon Walker's music in his bedroom, but the electrifying and uniquely eclectic sound undeniably feels more fitting for a stadium.

When Springer formed Moon Walker at the height of the Covid-19 Pandemic, he was merely looking for a way to pass time and make some extra money selling songs to music libraries. “I sold some, and it was going fine, but then I wrote some songs, and I was like, ‘I really don’t want to give these ones away." Those songs that Springer just couldn't part with ended up becoming his critically acclaimed debut record "Truth to Power". Thanks to sudden viral success on Tik Tok and praise from the likes of The Darkness's Justin Hawkins, the 7-track album quickly established Moon Walker as one of rock's most promising acts. Less than a year later, Springer is back with his sophomore effort "The Attack of Mirrors".

 

Mom Rock -

Forming in Boston in 2018, Canadian-American indie rock outfit Mom Rock combines the forces of Curtis Heimburger, Wilson Reardon, and Tara Maggiulli. They got their start taking Boston’s college party scene by storm, and have since stolen the hearts of show-goers with electric live sets, infectious original tunes, and signature themed get-ups.

 

With nothing but organic grassroots efforts, Mom Rock have surpassed 7,000,000 streams on Spotify alone and have reached a global audience of over 600,000 listeners. They’ve released four EPs to date, and have been slated to play on stages of festivals like Shaky Knees, Music Midtown, Osheaga, and Mile of Music. They were recently featured as Rolling Stone’s Hot Band in their 2022 Hot Issue, and are a 2023 Salt Lick Incubator grant recipient. Mom Rock are currently based in Nashville, and are available for any Little League games you need players for.

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March 30, 2024
Lindsay Lou w/ Sway Wild
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Lindsay Lou w/ Sway Wild

Lindsay Lou -

“Guided by life experiences, Lindsay Lou's sound and songwriting continues to evolve and intertwine her sturdy Bluegrass roots with progressive Americana and Folk.” – PBS

“I saw a literal manifestation of the sacred feminine, and had this profound sense that I was meant to embody it,” recalls celebrated singer-songwriter Lindsay Lou after journeying through a hallucinogenic ritual that would inform the way she processed waves of grief in the sea of change ahead of her. The loss of her grandmother, the end of her marriage, and the overwhelming turmoil of COVID lockdowns found the Nashville-based artist on a spiritual journey of self-knowledge and healing with this gift from the mystic swirl. On her new album Queen of Time (due September 29th from Kill Rock Stars), Lou explores that quest across ten tracks of tender, heartbreakingly beautiful music.

With this new vision of womanhood in mind, Lou began to see a throughline from her grandmother, to herself, to the art she was creating. Her 2018 release, Southland (recorded with her former band, The Flatbellys), felt like the first chapter to a greater story that was unfolding; with this release, the theme deepened. “It started with my grandma. She was the unattainable woman in a way,” Lou explains. “She had 12 kids and ran homeless shelters and was always taking people in. She felt that her calling was to be a mother to everyone – this communal caregiver – but it also meant that in belonging to everyone, she also belonged to no one. I realized that this is the catch-22 of anyone who is a woman unto herself. Women, first and foremost, belong to themselves, so nobody can really have them; but, there's also this element of self-sacrificing and giving to the idea of the feminine.”

Lou’s vocals are a powerful companion to her songwriting. “In an era when style and trends can become genericana, [Lou] focuses on the song,” said No Depression. “It is infectious and joyful, soulful even.” The undeniable centerpiece throughout Queen of Time, Lou’s voice is a molasses-sweet instrument equally capable of clarion ache, slicing deep into the soul. The daughter of a literal coal-miner and millwright, and the granddaughter of a teacher gone Rainbow Gathering healer, Lou honed her honest and resonant style with her bluegrass-inspired band, Lindsay Lou & The Flatbellys, and Michigan supergroup, Sweet Water Warblers (Rachael Davis, May Erlewine), excavating elements of bluegrass, folk, Americana, and soulful pop for their emotional depths. The Warblers’ debut album, The Dream That Holds This Child (2020), was dubbed “a testament to the trio’s range” by Billboard, running the gamut of blues, gospel, soul, and Appalachian folk.

On this latest record, Lou has refined those gemstones to a brilliant luster, holding the listener’s hand on the path filled with heartbreak, discovery, and resilience. On “Nothing Else Matters” (co-written by Nashville musicians Maya de Vitry and Phoebe Hunt), Lou blends those emotions into one vibrant present. The track features GRAMMY® Award winner Jerry Douglas, his immediately recognizable dobro work helping Lou tap into her bluegrass roots while she unravels this new vision of the world. “There is something incredibly iconic to Jerry’s playing; it’s unmistakable,” says Lou. “Like every touch of his bar to the string speaks exactly to the heart of the song. I feel really honored to have his musical voice among the players.”

Lou explores the continued theme of duality on lead single and album namesake “Queen of Time”, her limber, golden vocals backed by a suite of acoustic guitar, psychedelic synth and an energetic rhythm section. The song’s lyrics play out like zen koans. “I’ve spent years at this point, listening and reflecting on this record. ‘Queen of Time’ seems to embody the entire work’s theme of self-discovery in a way that almost feels like a wake up slap in the face; like if it was a snake, it would have bit me,” says Lou. “And I think that’s kinda the nature of self-discovery. It’s discovering something you knew all along.”

On the radiant “On Your Side (Starman)”, Lou sings to a loved one through rose-colored glasses, as if they were her hero. “You can be the starman/ The lightning in the sky/ I will be a shelter/ ‘Cause I am on your side,'' she sings, a lithe mandolin bolstering her serene offer of support. Bathed in harmonies and supported by a honeyed troupe of pedal steel, guitars, and a splashy percussion section, Lou sounds like a heroine herself, a gleaming bastion of strength and love. 

Elsewhere, “Nothing’s Working” finds Lou dueting with GRAMMY®-winning guitar virtuoso Billy Strings on their co-write. (You can hear String’s version of it, accompanying Lou, on his 2020 release Renewal). “This was another track that came together over the course of a few years; it lived as the first verse alone for a long time,” recalls Lou. “A suicide in our community stirred me to finish the lyrics, and pandemic gave Billy and I some extra time at home to flush it out.”

The message comes through in the lyrics as Lou sings, “Take time to listen to the quiet ones/ Watch how the rain gives up a chance to swim/ Burn the broken bridges and build them up again,” the duo crying out for change in the face of the endless pain and violence in personal lives and spread across the media. String’s flat-picked guitar ripples and writhes, a deep purple smoke pervading the track. 

“I’ve been fortunate to have spent formative years surrounded by immensely talented friends and collaborators, who, like Billy, feel more like family at this point.” explains Lou. “Having them lend their voices to this record is very special to me.”

Lou’s devotion to understanding where she came from plays a central role not only in the ethos of Queen of Time, but in its sound. “I have 27 hours of conversations that I recorded with my grandma, her telling me her story and explaining how she developed her unorthodox, somewhat radical, somewhat fringe philosophy,” Lou says with a wistful smile. Snippets of those recordings are infused into the album, as in the delightfully Calypso-flecked “Love Calls”. And as the album nears its end, another call to grandma helps exorcize the pain of death. “Nothing can stay bad forever,” Grandma Nancy reminds us, and you can feel the tears being wiped aside and replaced by something new—hope and resilience.

Named among NPR’s “12 Best Live Performances” in 2015, Lou has long been beloved as a live performer, from Telluride Bluegrass Festival to Stagecoach, Celtic Connections to Australia’s National Folk Festival, and a “Can’t Miss Act” at AmericanaFest—not to mention acclaim from PBS, No Depression, Billboard, Holler, Paste, and The Bluegrass Situation, among other outlets. But on Queen of Time, Lou captures a new arc of haloed beauty, becoming unattainable in her own way—a vibrant, powerful woman who can share herself with the world, and yet define a mystic sense of inner self as well.

Sway Wild -

Sway Wild was born on a small island in the Salish Sea.

Following a two-month sailing voyage through the remote anchorages of British Columbia, acclaimed indie-folk duo Dave McGraw & Mandy Fer, returned to their San Juan Island, Washington home still hungry to explore. The result was nothing short of an artistic epiphany; an evolution of sound that called out loudly for a new name. Sway Wild released its self-titled debut album worldwide in 2019.

Sway Wild’s infectious sound explores the corners of rock, pop, funk, and folk, but at its nucleus it is undeniably a music full of joy. It can squeeze the heart in your chest, it can draw tears from your eyes, and it can force you to get up and move your body; over and over, it somehow manages to do all three at once. Fer and McGraw’s gorgeous harmonies paired with moving lyrics serve to both process and share their jubilation, grief, and frustration with a complex and deeply imperfect society.

Perhaps most remarkable is Fer’s astonishing electric guitar work. Using her beloved Fender Stratocaster for both lead guitar pyrotechnics and chordal rhythms, often at the same time, Fer challenges the listener to comprehend how she manages to extract so much feeling from six strings and an amplifier. With this album, laden with Fer’s potent electric guitar solos, she has decisively placed herself within the vanguard of female guitarists claiming their rightful place in an artistic pantheon that has historically been dominated by men.

Sway Wild was recorded in Portland, Oregon at The Hallowed Halls, a historic Carnegie Library, by engineer Justin Phelps (Cake, Galactic, Bob Weir), whose expertise at the helm is tangible in the warmth and presence of the finished product. An impressive cadre of the band’s friends and heroes brings the songs to their full, frenzied potential. Allison Russell and Sean Hayes provide guest vocals, members of MarchFourth add the irresistible energy of a full horn section, and cellists Skip VonKuske (Portland Cello Project) and Anna Fritz, along with Anna Tivel on violin, contribute the brooding dynamism of bowed strings.

For Fer and McGraw, the sailing expedition served as a kind of sabbatical from seven years of heavy international touring, sharing stages with the likes of Iron & Wine, Gregory Alan Isakov, and Mandolin Orange. The days on the boat were filled reading books in quiet green coves, watching humpback whales and black bears for hours on end, and talking over simple dinners of freshly baked bread and fish caught from a creaky plastic rowboat. Inspired by their journey, they returned to their pastoral island and took to playing music in their living room, with no aspirations other than to enjoy the process of creation.

In the ensuing months, Fer and McGraw departed from their well-established acoustic approach in almost shocking fashion, each returning to the instruments on which they began their respective musical trajectories as teenagers. With Fer refocused on electric guitar, McGraw behind a drum kit for the first time in over a decade, they allowed themselves to rediscover everything they loved about making music. This soon gave birth to a creative torrent of new songs, organically and unexpectedly, with a sound transformed. With a fresh sense of purpose, the new material was honed on tours across the U.S. and in Europe, performing alongside Lake Street Dive, Rising Appalachia, Charlie Hunter Trio and others.

The name Sway Wild evokes a specific feeling. From the beginning, Fer and McGraw intended this band, and this album, to reflect what the endeavor felt like to them: a pathway to the uninhibited unfiltered core that we all possess. The words themselves are an invitation, if not a command, to seek out this untainted part of ourselves. In many ways, Sway Wild’s music is the product of truly wild places, and, like ribbons of light piercing a dark green canopy overhead; it can help us find the wildness that is unquestionably still within us.

Mandy Fer also tours as the lead guitarist for Grammy nominated Allison Russell and recently performed with Brandi Carlile and Jason Isbell.

Sway Wild - 

San Juan Island, WA-based indie folk-rock duo Mandy Fer and Dave McGraw are back at it with a new sound, and a new name: Sway Wild! Their exceptional vocal harmonies, coupled with Fer’s pioneering electric guitar work, have become a vehicle to carry them around the world, sharing stages with the likes of Iron & Wine, Lake Street Dive, and Watchhouse. Sway Wild’s infectious sound explores the corners of rock, pop, funk, worldbeat, and folk, but at its nucleus it is undeniably a music full of joy. It can squeeze the heart in your chest, it can draw tears from your eyes, and it can force you to get up and move your body; over and over, it somehow manages to do all three at once. Mandy Fer also tours as the lead guitarist for Grammy nominated Allison Russell and recently performed with Brandi Carlile and Jason Isbell.

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April 2, 2024
Particle Kid w/ Palo Soprano
Starts:
8:00 pm
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Particle Kid -

Composer/multi-media artist Micah Nelson has a remarkable output that spans
the creative spectrum unlike few others. The visionary, who Rolling
Stone magazine hailed as one of their “New Classics” (“The creative visionaries
celebrated here come from the worlds of music, acting, comedy, sports and
more. …they share a refusal to be contained by the rules of the past as they
define the territory of the future”), produces art under the moniker Particle Kid
and finds no boundaries in his creativity. 
 
Particle Kid has released six albums of his original music, including his most
recent release Time Capsule, a 26-song musical journey through time, space,
and consciousness. It features guest appearances from Jim James, Sean Ono
Lennon, J Mascis, Margo Price, The Lovely Eggs, and Micah’s dad Willie Nelson
on three tracks including "Die When I'm High (Halfway to Heaven).” His previous
albums – self-titled debut Particle Kid, Everything Is Bullshit, Particle War,
Window Rock, Live! Underground – are just part of the catalog of work Nelson
has amassed with other artists and musicians. He was chosen by Neil Young to
become a member of his band Crazy Horse in 2023, and Nelson was also been
featured in Young's full-length film Paradox. For Record Store Day in 2018, he
released Lucky Wheel, a split 12” vinyl collaboration with punk legend and X co-
founder John Doe. He created the cover art on Willie’s recent studio album First
Rose of Spring. (Willie coined Micah “Particle Kid,” when he misspoke a
“prodigal son” greeting.) On tour year round, Particle Kid has headlined shows
around the world as well as opened for many other artists including The Flaming
Lips, Tinariwen, Meat Puppets, Claypool Lennon Delirium, and been part of the
line up for Luck Reunion, BottleRock Festival, UTOPiAfest, and the Outlaw Music
Festival.
 
As an industrial hemp activist, Particle Kid has served on the National Hemp
Association’s Board of Directors, participates in Farm Aid events and their
annual music festival, and combined the missions of both organizations when
he spearheaded a Change.org petition championing the Industrial Hemp
Farming Act which became law in December 2018. Combining his passion for
music and hemp, for his album Time Capsule the artist hand-made 20 actual

time capsules constructed from hempcrete. Purchasers of the Time Capsule CD
set have a chance of winning a ‘Time Token.’ Each of these randomly hidden
tokens can be redeemed for one of the 20 hempcrete time capsules that
contain a thumb drive that includes the record and videos, printed album
artwork, industrial hemp seeds that Nelson cultivated himself, and a physical
ticket that gains general admission to every Particle Kid concert in the year
2042. Nelson states, "I hope that incorporating industrial hemp into my art will
help educate people not only on the crop’s many sustainable functional uses,
but how it was deeply entwined with our nation’s history and the history of the
world."
 
For nearly a decade, through his production company (which also includes his
wife Alex Dascalu Nelson aka Sisterlu), Spitball Pictures, he has created music
videos and films for his own music projects as well as for other artists. His
productions include music videos for Edie Brickell & New Bohemians (“Tripwire”
and “My Power”), Promise of the Real’s Anthony LoGerfo (“Love Commando”),
folk-punk musician Sunny War (“Age of a Man“), GRAMMY award-winning
Tinariwen (“Wartilla, Dan Caret Dub”), ukulele and guitar duo Folk Uke (“Small
One”), and Neil Young (“Shape of You"). Watch a collection of his work on this
playlist  He is currently working with Young on an animated short film
adaptation of Young’s 1982 dystopian sci-fi concept album, TRANS. Particle Kid
has also built his graphic art portfolio, creating album artwork for his own
projects as well as the poster for his solo tour. He is part of the Moonlight Arts
Collective, an art community founded by Incubus' Brandon Boyd, who is also a
painter and art enthusiast. In 2023, 14 selections of Micah’s original art
debuted as part of the collective. Since the initial showing, new originals and
limited prints are regularly added to the collection for purchase via his online
gallery at Moonlightartscollective.com

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April 4, 2024
Keller Williams w/ Ryan Montbleau
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Keller Williams -

Virginian, Keller Williams, released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE, SYNC, RAW, SANS, ADD, SPEED and CELL. Each title serves as a concise summation of the concept guiding each project. Keller's albums reflect his pursuit to create music that sounds like nothing else. Un-beholden to conventionalism, he seamlessly crosses genre boundaries. The end product is music that encompasses rock, jazz, funk and bluegrass, and always keeps the audience on their feet. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar, bass, guitar synthesizer and drum samples; a technique called live phrase sampling or "looping." The end result often leans toward a hybrid of alternative folk and groovy electronica, a genre Keller jokingly calls "acoustic dance music" or ADM." Keller's constant evolution has led to numerous band projects as well; Keller & The Keels, Grateful Grass, KWahtro, Keller and the Travelin' McCourys, Grateful Gospel and More Than A Little to name a few. Keller can be found playing clubs and festivals around the U.S. with these projects throughout the year.

Ryan Montbleau -

For as long as he can remember, Ryan Montbleau’s been a seeker. From the jungles of Peru to the volcanoes of Hawaii, from the beaches of Costa Rica to the streets of Brooklyn, from the backseat of a 16-passenger van to backstage at Carnegie Hall, the acclaimed singer/songwriter has spent much of his life crisscrossing the globe on a perpetual search for meaning, purpose, and understanding. It’s a quest that’s guided him both personally and professionally over the years, one that’s come to define not only his music, but his very sense of self. And yet, listening to Montbleau’s ambitious new multi-part album, Wood, Fire, Water, and Air, there is a profound sense of satisfaction in sitting still, a recognition that perhaps all those spiritual treasures he’s been chasing for so long were closer than he thought. 

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April 6, 2024
Coleman Hell "The Joyride Tour"
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Coleman Hell -

Coleman Hell`s debut album Summerland made a splash with his genre-defying monster of a hit, "2 Heads." The mesmerizing track was a favourite with critics and fans and quickly reached Top 10 and hit four times platinum in Canada, gold in the US, and exceeded 150 million streams on Spotify. The album also featured multi-platinum singles "Fireproof" and "Devotion" and the record achieved gold status and earned Hell two JUNO and numerous MMVA nominations. His follow-up album, topanga., was released last October and he`s already begun rolling out new music for his next album, due out later this year.

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April 7, 2024
Saxsquatch Presents Bigfoot Rave
Starts:
7:30 pm
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Sasquatch Presents Bigfoot Rave

Saxsquatch presents Bigfoot Rave, a costume themed dance party hosted by the saxy beast. Be a bigfoot, a fairy, an alien, or be whatever YOU believe in. Just come have fun and dance the night away with Saxsquatch + his DJ friends!

Saxsquatch -

Dean Mitchell, better known by his stage name Saxsquatch, is an American musician notable for wearing a Bigfoot costume and playing cover versions of popular songs on the saxophone. Mitchell is the former saxophonist for The Marcus King Band. He gained notoriety for a number of viral videos and has amassed a large social media following.

Saxsquatch began uploading his performances to YouTube in 2019 and gained viral notoriety with his cover of One More Time by Daft Punk. His cover of You Don't Know Me was featured on Tosh.0. By September 2020, he averaged 3–5 million views per day on social media and became one the top solo artists on the Pollstar livestream charts. His music has been described as "a full-on mash-up of live instrumental saxophone, upright bass, and funky electronic beats."

In October 2020, Saxsquatch commenced the Saxual Healing Tour 2020, which featured outdoor concerts at multiple venues. By early 2021, his "Live From The Woods" performances became Facebook's top recurring music stream. In 2021, Saxsquatch and John Oates collaborated to create an electronic dance music cover of the Hall & Oates' 1982 song Maneater. The duo live streamed the song together on March 20, 2021. Saxsquatch and Half an Orange collaborated and released the single Moondance, which was featured in the videogame Rocket League in 2021.

On January 31, 2022, Saxsquatch appeared on episode six of That's My Jam hosted by comedian Jimmy Fallon.

#Saxsquatch #Saxophone #BigFootRave #Believe #Costume #Bigfoot #Alien #Fairy  #Rave #DanceParty  #House #Disco #Techno #Trance #TechHouse #DeepHouse #DrumnBass #Jungle  #Dubstep #Trap #Riddim #BassMusic #Lasers #Lights #Kandi #PLUR #Kickwear #Glowsticks #DiscoBall 

 

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April 8, 2024
Facet, The Kronk Men, Hello Traitor, Dead Nettle
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Volcanic Theatre Pub Presents: Facet, The Kronk Men, Hello Traitor, Dead Nettle

Facet -

“Facet’s most important aspect is just how damn loud and enjoyable their debut is. This Self-Titled is much more than an Unwound fan’s dream, but if their famous blend of noise rock and post-hardcore ever whet your whistle, boy howdy, do I have your new favorite band. “ -New Noise Magazine
 
“Pretty fucking sweet” - Jon Glaser
 
“Facet brings to mind the driving and angular workouts fans of Cherubs and Unwound will absolutely lose their shit for. It's a slow-burning, mean-sounding sonic world.” -No Echo
 
“Facet, have plenty of that sweet, sweet skree on their self-titled debut. Guitars, whine, squeal, slash and generally raise a ruckus, while the thick, ropey bass rumbles along and the drums are frantic, precise and terse. All this from three dudes bent on keeping the noise rock dream of the ’90s—think Unwound, Unsane, Drive Like Jehu—alive in the 21st century.” -Decibel Magazine



The Kronk Men -

Experimental Instrumental Macabre/sound shrapnel rock n' roll

What can be said about The Kronk Men? The Kronk Men are a rare breed of mystery. The Kronk Men are a sight to behold, a kamikaze of self taught expression!

Throughout the years they have labored and toiled in a state of obscurity, naturally enhanced by the bleak surroundings of the hellhole that is central Oregon. A lifetime altercation with this isolated and culturally devoid wasteland has afflicted the imagination of Jake Spece (guitar), Dirk Spece (bass), and Charlie Cook (drums) producing fascinating results. If you melted three minds in a stove pot what a delicious meal of the psyche you would have!     

Fred “Hag Sin” Dawson 

Hello Traitor - 90’s era. Post-Hardcore

Dead Nettle - noise / shoegaze based in pnw

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April 9, 2024
Greg Volker & the River
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Greg Volker & the River

Greg Volker is a Minneapolis-based singer/songwriter/ who made a name for himself while living in the San Francisco Bay Area where he recorded six albums with bands Deer Crossing, Dirt Road, and Gunpowder. Since moving back to Minneapolis he formed his new band, The River, in 2022 with young talented musicians who have invigorated his music with a new energy.

Volker’s music traverses a musical landscape filled with long, thick shadows and flashes of blinding light.Sometimes soft and gentle and at other times jagged and raw, Volker’s music inspires comparisons to the honest and unruly magic of Neil Young and the sonic propulsion of My Morning Jacket. Their sound shares a deep reverence and kinship with alt-country bands of the 90s including The Jayhawks and Son Volt. At its core, American roots music remains the singular force uniting and guiding Volker’s vision with influences like Gillian Welch and Steve Earle.

“The Bay Area just might have a contender for the No Depression crown.” ~ Bay Area Music (BAM) Magazine

Insta: @gregvolkermusic
FB: Greg Volker Music
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April 10, 2024
Out Of Thin Air - Improv Comedy Night
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VTP Presents: Out of Thin Air Improv Comedy Night

April 10th, 2024 - Doors at 7pm - Show Starts at 8:00pm

April Comedy at VTP!

Come join us for an interactive, unscripted comedy and creativity from one of Bend's own Incredibly Talented Improv Troupes, Out Of Thin Air Improv Theater Company! Authentic and hilarious Improvisational Theater based on audience suggestions, with a sprinkling of comedy sketches.

"No Show Is Ever The Same"

Create with Us!  Help us create laughs Out Of Thin Air.  Come Help Make the Magic!

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April 11, 2024
Spencer Marlyn (Pub Stage)
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Spencer Marlyn is a Bend, OR, transplant from Des Moines, IA. Using loop and effects pedals, he creates a bumping sound of that of an entire band. Playing funk, reggae, bluegrass, and psychedelia, his thumping beats, intricate guitar parts, and genre–hopping shows are sure to grab your attention and hold it. 
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April 12, 2024
Wolfe House Records Album Release Party
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Wolfe House Records Album Release Party Feat. Dive Bar Theology

Wolfe House Records is a local label and artist development collective. Come celebrate the release of their first showcase album with Dive Bar Theology, a project played by the core team within Wolfe House, showing off your most beloved Dive Bar “duvets” songs of the past five years from one of Central Oregon’s favorite party bands. Snag yourself a fresh vinyl copy of the record along with exclusive deals on a brand new Wolfe House merch drop that will be making their first appearance at the show as well.
 
The evening will include features from other projects Wolfe House supports or has members within: Mamasboy Band, Denver Says, Stereo Treason, and DJ لينا (Leena).
 
Wolfe House Records IG - @wolfehouserecords 
Dive Bar Theology IG  - @divebartheology
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April 13, 2024
Matthew Logan Vasquez w/ Danny Golden
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Matthew Logan Vasquez w/ Support from Danny Golden

Matthew Logan Vasquez -

Matthew Logan Vasquez’s writing goes where he goes. Synonymous with the sound of Southern California in the early 2000s, MLV’ s first and most prominent band, Delta Spirit formed in his home state in 2005 and went on to tour internationally, appearing on coveted festival stages like Bonnaroo and Lollapalooza and late night TV like Jimmy Kimmel and Letterman. Now nearing 10 years of releasing music as a solo artist and a handful of side quest projects like Glorietta and Middle Brother, Vasquez’ s upcoming record, Frank’ s Full Moon Saloon has the self-dubbed Calitexican’ s sound firmly planted in the Lone Star state, his current and teenage home. “I’ m a product of both the 90’ s Austin music scene (Old 97’ s, Ian Moore, Reverend Horton Heat) and Southern California in the early 00’ s (Elliott Smith, Richard Swift).” With the primary goal to capture “ the alchemy of a live honest moment” and make a more raw, song forward record, Vasquez recorded most of Frank’ s Full Moon Saloon himself in the garage honky tonk of a beloved neighbor and mentor. The album features more exposed versions of songs from throughout his career as well as guest appearances from members of Dr. Dog, Dawes, Deep Sea Diver, and Shovels & Rope. Recommended listening for those drawn to the musical stylings of modern writers like David Bazan and Hamilton Leithouser and underground giants Doug Sahm and Ry Cooder.

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April 14, 2024
Israel Vibration & Roots Radics w/ Strive Roots
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'Soul'd Out, Parallel 44 Presents & VTP Presents: Israel Vibration & Roots Radics with Strive Roots!

Israel Vibration and Roots Radics - 

Israel Vibration and Roots Radics feature some of the best original recording musicians in the business. They are rock solid. Flabba Holt, Dwight Pinkney, T-Bird and Steve Golding are the ultimate reggae players of instruments. Israel Vibration has an extensive catalog of music that consistently keeps coming with many classic hits such as Ball Of Fire, Get Up & Go, Cool & Calm, Why Worry, Vultures, Licks & Kicks, The Same Song Their latest album release is called Play it Real Along with the album there is a music video called Man Up.

Israel Vibration and Roots Radics have done many major US tours with Kings Music International featuring Wiss and Skelly and Bunny Brissett on vocals backed by the Roots Radics. Their extensive music catalog spread out worldwide before the CD market went online. Ras Records and Jim Fox of Lion and Fox recording Studios in Washington DC did great work helping to build and promote their music.

Mention the name Israel Vibration in reggae music circles and watch the warmth of recognition and appreciation of anyone who has seen or heard this very special vocal group. The positive vibrations emanating from the music of Israel Vibration have been spellbinding audiences, critics and DJs for over three decades. The lead vocalists, Wiss and Skelly cast a harmonious musical spell, weaving traditional roots reggae with a mesmerizing sound and deeply spiritual message. Israel Vibrations have been touring very strong worldwide for many years. They are regularly featured internationally on most of the major Reggae Festivals.

Israel Vibration members Cecil Spence (Skelly) and Lascelle Bulgin (Wiss) were born in Jamaica, West Indies. Each is a victim of Poliomyelitis (Polio). They met as children in the Mona Rehabilitation Center into which they were placed because of their families’ limited resources and their needs for specialized medical care. They learned early on the necessity for developing survival skills, and although polio is an undeniably crippling and debilitating disease, the youths never let their physically challenging situation overcome their willpower and their creative abilities. They found strength in the faith of Rastafari through the guidance of His Imperial Majesty, Emperor Haile Selassie I of Ethiopia, and began composing and singing songs which expressed their spiritual beliefs.

Their spirituality and stance on issues relating to their residency at the Mona Rehabilitation Center caused them to be expelled from that institution. Undaunted, they found solace, comfort, and sustenance in their music, which won them the support of their local community and provided them with encouragement to pursue their music careers. They began recording in 1976, enjoying a hit with the poignant Same Song, which was licensed to EMI and brought the group international attention. Their musical careers seemed to be taking off, but, like many Jamaican artists, Israel Vibration’s recording career was set back by a local industry plagued at that time by questionable accounting practices, musical piracy, and a lack of tour support. In 1983, the group broke up and its members moved to the States both for superior medical care and to pursue solo projects.

In 1988 Israel Vibration began building their extensive catalog with Strength of My Life, Praises, Forever, Vibes Alive, IV, On The Rock, Free to Move, and several dub albums. On the Rock garnered much praise the single and video “Rudeboy Shufflin’,” which, along with the “Feeling Irie” video, was aired on BET as well as other television programs throughout the US and abroad. On The Rock and its follow-up Free To Move reached their height of success upon reaching number one on the CMJ New World charts. Their 1999 release, Pay the Piper, displays more of the strong material songwriters Skelly and Wiss are known for, and the album’s featured video “Hard Road” was seen in 3900 Blockbuster video stores during the month of January, 2000. Their album Jericho, released in 2000 was another strong work featuring the best musicians and harmonizers Jamaica has to offer. Skelly and Wiss fully commit to each honest lyric and sing from the heart with the true spirit of universality. Israel Vibration has continued putting out strong albums with their latest ones being Reggae Knights and Play it Real. Their overall catalog is very deep and consistent. It is a great musical contribution to the world.

BIOGRAPHY: ISRAEL VIBRATIONS

A living lesson in fortitude, the vocal trio of Cecil “Skeleton” Spence, Albert “Apple Gabriel” Craig, and Lascelle “Wiss” Bulgin overcame adversity, illness, and poverty to become one of the finest roots groups in Jamaica’s history. All three had been afflicted by polio and first became acquainted, albeit briefly, at Kingston’s Mona Rehabilitation Clinic.

Of the trio, Bulgin appeared least likely to emerge a singing sensation. He spent much of his childhood at a variety of rehabilitation centers and in his teens began working for a tailor. Craig, in contrast, initially did seem destined for a musical career and for a while attended the famed Alpha Cottage School. This illustrious institution, founded in 1880 and run by Catholic nuns, is renowned for its musical training. Many of the island’s greatest stars passed through its doors, including members of the Skatalites and drummer Leroy “Horsemouth” Wallace. However, Craig found the tough discipline and rigid atmosphere oppressive and ran away at 14 into a life of homelessness and poverty. After an equally bright start, Spence’s life also took a severe downturn. As a preteen, he played xylophone in a youth band, with whom he appeared on national television. Although physically disabled, he was a gifted athlete and in his teens he was selected for the Jamaican Wheelchair Basketball team. But his conversion to Rastafarianism put an end to all that in 1969; he was dropped from the team and returned to Kingston. It was serendipity that he bumped into Craig soon after, and fate intervened again, to bring the pair back into touch with Bulgin.

The three teens had individually all previously converted to rastafarianism, now their shared faith and childhood experiences helped forge a strong friendship. Leaving behind their old lives, the trio now spent their time hanging out together and busking for money around Kingston. They spent the next six years singing for their suppers and by 1975, Israel Vibration was a vocal force to be reckoned with. However, their initial attempt at recording was abortive as the one track they did cut, the Ernest Hookim-produced “Bad Intention,” never saw release. The following year, an answer to their prayers arrived when members of the Rastafarian religious group the Twelve Tribes of Israel agreed to finance a single by the trio.

Israel Vibration went into Treasure Isle studio with producer U- Booth and recorded the single “Why Worry” and a new version of “Bad Intention” for its flip. The group’s exquisite dread sound and militant cultural themes made an instant impression and the trio now found themselves on-stage opening for the likes of Bob Marley and Dennis Brown. In 1977, Israel Vibration began work on their follow-up, “The Same Song,” with producer Tommy Cowan. By the time they were done, the group had another hit song and a debut album of stunning proportions, which was titled after the single. A de rigueur dub version, Israel Tafari, accompanied the full-length and was equally powerful. On the strength of these, the trio was signed to the British EMI subsidiary Harvest, who released Same Song in Britain. 1979 brought the Unconquering People album, and another popular single, “Crisis.” And even if this set was not quite as dread as its predecessor, tracks like “Mr. Taxman” and “We a de Rasta” remain classics of cultural roots. Not surprisingly, Israel Vibration went down a storm at that year’s Reggae Sunsplash.

The trio’s deeply devotional songs, cultural themes, inspirational lyrics, and original take on the roots style had struck a chord with reggae fans around the world. Thus, it was a surprising decision that Israel Vibration recorded their next album, 1981’s Why You So Craven, with legendary dancehall producer Junjo Lawes. In many ways, it was a failed venture and the trio was so dissatisfied, they walked out before the sessions were complete. Bringing in the vocal trio the Tamlins, Lawes carried on without them and the resulting album, while not a total disaster, certainly lacked the spirit of its predecessors. Even an avid response at 1982’s Reggae Sunsplash could not convince the trio that their future lay in a Jamaica where dancehall now reigned supreme (Live at Reggae Sunsplash, a split album from Israel Vibrations and the Gladiators, bears witness to their performance). Thus they relocated to New York City, perhaps believing that the large immigrant community could sustain them, or that America was now ready to embrace roots. They were wrong on both counts. A few occasional live appearances aside, the group swiftly disappeared from view. All three attempted solo careers, but only Bulgin made it on to record; his Mr. Sunshine album paired him with the Freedom Fighters Band.

In 1987, the trio decided it was stronger together than apart, re-formed, and approached the RAS label. Although labelhead Doctor Dread had shown no interest in their solo efforts, he was enthusiastic about a reunion and quickly signed them to RAS. Strength of My Life appeared the following year, and aided by the Roots Radics, it found Israel Vibration as vibrant as ever.

The trio now settled down for the long haul, and although their sound was no longer on the scene’s cutting edge, they continued putting out strong sets. 1990 brought three albums, Praises, its dub companion Dub Vibration, and Israel Dub, drawn from the Strength of My Life set. The next year’s Forever found the trio in a surprisingly comic mood, taking aim at themselves, dancehall, as well as contemporary issues. In 1992, a taste of the Vibrations’ live power was delivered up on Vibes Alive, which was recorded at a show in Santa Cruz the previous October. Besides showcasing the trio’s unique vocal styling, the album captures the Roots Radics at their fiercest. 1993’s IV, and its dub companion IV Dub, gave heart to all those who believed that roots was fast becoming little more than a world lovefest. The album’s militancy, notably on “Naw Give Up the Fight,” proved the trio’s own passionate cultural concerns and dread roots were not fading. The equally powerful On the Rock followed two years later and was also accompanied by a dub set.

Then, in 1996, the group released their first single in years, the infectious “Feeling Irie,” taken from their new album, Free to Move. This attempt to push the band’s profile higher into the mainstream came to naught, the trio had already built up a loyal fan base and remained a successful live act, as 1997’s Live Again proved. Unlike its live predecessor, this time around Israel Vibrations packed the album with crowd-pleasing favorites.

It was nine years since the trio had re-formed and signed to RAS; they’d been recording and performing steadily since, but Craig was no longer happy with their current path left the group in 1997 to pursue a solo career. His debut album, Another Moses, featured his own backing band, the Zionists.

Continuing on as a duo, Spence and Bulgin reappeared in 1999 with a new studio album, Pay the Piper, and proved that Israel Vibrations would not be defeated by this defection. Jericho following hot on Piper’s heels in the new year, while 2000 also saw the release of the limited-edition Power of the Trinity three-CD box set; Dub Combo appeared in summer 2001. Acknowledging Craig’s longtime contribution to the group, the set is evenly divided between the trio, with each disc devoted to one individual member’s greatest compositions. Israel Vibrations’s career shows no signs of slowing, and the group has firmly carved a secure niche out of what once seemed an impenetrable surface. Their popularity seems assured, and they remain a vibrant live act and an always intriguing studio group.

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April 16, 2024
Jesse Daniel
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Jesse Daniel w/ support from Brit Taylor -

Jesse Daniel -

Jesse Daniel possesses the hard-won life experience that many sing about, but few have actually lived. Instead of wearing those trials like badges of honor, he has used them to forge the solid foundation from which he has built his career. After overcoming years of addiction and all that comes with it, he set out to make a life in music and hasn’t looked back since. This unrivaled determination led to his debut in 2018, Jesse Daniel, which proved to be a major foot-in-the-door for him as an artist. After touring this record extensively he released his second album, Rollin’ On, in 2020. If the first record was a foot in the door, Rollin’ On was a battering ram, making it near impossible to ignore his name in country music. It let the world know that Daniel was here to stay and received national (and international) praise from the likes of Rolling Stone, Sirius XM Outlaw Country DJ Shooter Jennings, American Songwriter and Saving Country Music among many others. It’s success in spite of a global pandemic only highlighted the impact it had.

Daniel used the forced downtime of 2020 to write and record his best work to date; a twelve song album called Beyond These Walls, collaborating again with esteemed Grammy nominated producer, Tommy Detamore at Cherry Ridge Studios. A good portion of its songs were co-written by Jesse’s partner, bandmate and co-owner of their independent label Die True Records, Jodi Lyford, who is heard throughout singing harmony vocals. “I wanted this record to reflect where I’m at in life… a more mature album and version of my sound, but without sacrificing any of the things that make it “Jesse Daniel”. Every song on this record reflects a part of me.” says Daniel.The collection features members of George Strait’s “Ace In The Hole Band” (Ronnie Huckaby), Willie Nelson’s band (Kevin Smith), and even includes a duet, completely in spanish, with Raul Malo of The Mavericks.

Many have praised Daniel as a showman or performer, but less often as the songwriter he truly is. The subject matter on this album shed light onto this side of him that had been there all along, but many have overlooked. “Clayton Was A Cowboy” honors the timeless tradition of storytelling in country music, capturing the simplicity, hardship and tragedy that oftentimes go hand in hand with living truly and completely free. “Gray” is a sad but true glimpse into what addiction can look like. Written from the perspective of a friend, it covers the helplessness one feels while watching someone they love throw their life away. Daniel said, “I’ve been to a lot of funerals in the past few years, most of them were for friends who died far too young. I wrote this song to tell the truth about what it’s like, and to try and expose the glamorous image people give addiction for what it is.”

Daniel’s worker’s anthem, “El Trabajador”, taps into his upbringing, working the flea markets with his mother and step-father (a native of Northern Mexico), while “Soñando Contigo” covers unbearable grief and heartache in true Ranchera style.In the lyrics to the closing track, “I’ll Be Back Around”, is where the album gets its title. The only true bluegrass song on the album, it features masterful dobro played by Tommy Detamore, fiddle by Hank Singer and flatpicking guitar by John Carroll. While it is about doing time in prison, it transcends that narrative by being relatable to anyone who has been stuck somewhere against their will.

This album is a love letter to country music in its many forms. It will leave you with a sense of knowing Jesse Daniel better, both as an artist and person. He has grown immeasurably as a singer, songwriter, producer and bandleader since his humble beginnings in small town California and Beyond These Walls lays out just how far he has come and will continue to go.

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April 18, 2024
HomeGrown PreParty
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HomeGrown Festival PreParty @ Volcanic Theatre Pub 

Featuring Preformances by -

Company Grand, Oregon Fryer and Pete Kartsounes!

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April 19, 2024
William Tyler and The Impossible Truth
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William Tyler Goes West on new studio album due January 25, shares “Fail Safe”

On January 25, William Tyler returns with Goes West, his follow-up to 2016’s Modern Country. Listen to first single “Fail Safe” now, and pre-order Goes West on CD, LP, and limited-edition translucent green Peak Vinyl, the latter of which includes a 24” × 36” full-color foldout poster of the Robert Beatty cover art. All pre-orders will receive Dispatches from Echo Magic, an 8-song bonus CD available only in the Merge store or with the purchase of Goes West at your local independent record store, while supplies last. Recorded with Scott Hirsch at Echo Magic West in Ojai, CA, the CD features early versions of five songs from Goes West plus three other tracks from the session that are only available here.

Listen to & share William Tyler’s “Fail Safe” now

An excerpt from the M.C. Taylor-penned bio:

William and I bonded early in our relationship over Barry Hannah, a hellraising writer from Mississippi who practically reinvented the way that words could be assembled on a page. Like Hannah, William Tyler knows the South—as a crucible of American histories and cultures, an entity capable of expansive beauty and incomprehensible violence, often in the same beat—as his native place, the place that holds him and that he runs from. In the music of William Tyler, the South is not apart from America; the South is America condensed. And like Hannah—and this part is important—William moved to California, where Goes West was written. We don’t know how long William will stay—Hannah lasted just a couple of years, writing in the employ of director Robert Altman—but the change of scenery seems to suit him.

Goes West marks a sort of narrowing of focus for William’s music; it sounds as though he found a way to point himself directly towards the rich and bittersweet emotional center of his music without being distracted by side trips. Perhaps this is down to the fact that William only plays acoustic guitar on the album, a clear and conscious decision considering that he is one of Nashville’s great electric guitarists. The band that performs Goes West alongside William—including guitarists Meg Duffy and Bill Frisell, bassist and producer Brad Cook, keyboardist James Wallace, drummer Griffin Goldsmith, and engineer Tucker Martine—is the best and most sympathetic group of players that William could have assembled to play these songs.

William Tyler is currently performing solo sets on tour with Ty Segall. Stay tuned for more Goes West news by following Tyler on FacebookTwitter, and Instagram.

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April 20, 2024
TRIPP ST.
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VTP & 1988 Entertainment Presents:

Tripp St.

Saturday, April 20th 2024
Volcanic Theatre 
Doors 8:00 PM
18+

TRIPP ST. -

Seemingly materializing out of thin air, anonymous producer and DJ under the moniker Tripp St. has taken the electronic scene by stormat an alarmingly quickpace. Making a grand entrance with a plethora of all original mixtapes, he immediately commanded attention by the masses through his unique integration of deep free form bass and apparent boom bap influences. Although a new comer in identity, the enigmatic alias of Tripp St. does not lack inexperience. Having an extensive background attributed to hip hop production and studio engineering, he plucks elements of genres he loves, showcasing his ability to create and fine tune an entirely new range of sound. Paying homage to his roots in every sense imaginable, he brandishes the name Tripp St. from the street he grew up on. Since his wide spread emergence, Tripp St. has refused to stray from the pulse of the modern bass community. Working in tandem with industry leader CloZee herself, his freshman album single handedly marked the debut release onher independent record label, Odyzey Music. Paired with a nationwide tour and a slew of major market appearances under his belt, Tripp. St has already positioned him self to becoming one of the most highly anticipated acts in dance music.

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April 23, 2024
Devin the Dude w/ J Meast and The Clumzy's
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Devin The Dude w/ J Meast and The Clumzy's

Devin The Dude -
Devin Copeland
 (born June 4, 1970), better known by his stage name Devin the Dude, is an American rapper from Houston, Texas. He is perhaps best known for unique rapping style, his long tenure on Rap-A-Lot Records, and his 2002 songs "Lacville '79" and "Doobie Ashtray".

Devin began his career as a member of the group Odd Squad, who were signed to Rap-A-Lot Records and released their debut album, Fadanuf fa Erybody, in 1994. Devin later became a member of labelmate Scarface's group Facemob before beginning his own solo career in 1998 with the release of the album The Dude. After releasing three additional solo albums on Rap-A-Lot, Devin departed and has since released his music through several other independent labels.

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April 24, 2024
Jerry's Middle Finger
Starts:
8:00 pm
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It’s no longer a secret that California-based Jerry's Middle Finger (JMF) delivers the best Jerry Garcia Band tribute experience in the world - performing and celebrating the music of JGB with unparalleled sound and energy.

Humbly formed in 2015 by a group of professional musicians passionate about Jerry Garcia and the Grateful Dead, JMF started honing its one-of-a-kind sound at LA speakeasies and beachside dive bars. Audiences of all ages instantly fell in love and soon JMF was playing to packed rooms from legendary stages throughout California, Oregon, Arizona, Colorado, and Washington — dazzling new fans on the scene and pulling even the most discerning Jerry fanatics out of their seats for the first time in decades.

The magic all starts with lead vocalist and guitarist Garrett Deloian. As a seasoned veteran of the blues circuit, he channels his lifelong love for the work of Garcia into every lick with his unparalleled mastery and tone. Drummer/founder Rodney Newman, a student of The Dead/JGB since his youth, leads the band’s reliable and relentless rhythm section. Rodney's kick shares the bottom end with the steady and inspired bass playing of the multi-talented Son Vo. Rounding things out are two powerhouse vocalists, Halina Janusz and Lisa Malsberger, and veteran pianist and organ champion Jon Gold.

The future looks bright for JMF as they get ready to take their heartfelt magical dance parties to further points across the country. So whether you saw Jerry 500 times or were born after his time on earth, this much is true: JMF will make you feel like he’s still here.

Garrett Deloian - lead guitar and vocals

Halina Janusz - vocals

Lisa Malsberger - vocals

Jon Gold - keys and organ

Son Vo - bass guitar

Rodney Newman - drum kit

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April 25, 2024
Out Of Thin Air - Improv Comedy Night
Starts:
8:00 pm
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Static and dynamic content editing

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VTP Presents: Out of Thin Air Improv Comedy Night

April 25th, 2024 - Doors at 7pm - Show Starts at 8:00pm

April Comedy at VTP!

Come join us for an interactive, unscripted comedy and creativity from one of Bend's own Incredibly Talented Improv Troupes, Out Of Thin Air Improv Theater Company! Authentic and hilarious Improvisational Theater based on audience suggestions, with a sprinkling of comedy sketches.

"No Show Is Ever The Same"

Create with Us!  Help us create laughs Out Of Thin Air.  Come Help Make the Magic!

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April 26, 2024
Life During Wartime & Hiding From Love
Starts:
8:00 pm
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What’s a Rich Text element?

The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

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How to customize formatting for each rich text

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J-Fell Presents: Life During Wartime [Talking Heads Tribute] & Hiding From Love [Depeche Mode Experience] 

Life During Wartime - Talking Heads tribute is an eclectic band with a common love for the pop-punk of one of the most acclaimed post-punk-era bands. They perform the STOP MAKING SENSE concert film, Talking Heads, and original funk & dance material in premier venues around the country.
www.ldwband.com/


Hiding From Love - Depeche Mode experience is an electrifying Portland-based band known for their unwavering dedication to capturing the essence of an iconic sound. They bring exceptional musicianship and attention to detail, flawlessly recreating the atmospheric melodies, pulsating rhythms, and emotive lyrics that have made Depeche Mode a favorite across generations. Prepare to be enthralled as they take you on a musical journey through the darkness and the light.

www.facebook.com/hidingfromlove

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April 27, 2024
2024 HUMP! Film Festival
Starts:
7:30 pm
$
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Ages:
21
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The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.

Static and dynamic content editing

A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!

How to customize formatting for each rich text

Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.