Volcanic Theatre Pub & 1988 Entertainment Presents:

• • Comedian Dr. Brady Smith

  • Friday, March 13th 2026

  • Presale - $20 Door - $30

  • Doors @ 7PM - Show Starts @ 8PM

  • This show is SEATED, first come first served.

This show is 18+

1.  

2. Dr. Brady Smith is a dentist and stand-up comedian who has made a name for himself through his unique blend of humor and dental expertise. He is known for his social media presence as well as his podcast, "Laughing My Gas Off". The podcast where Dr. Brady gets well-known comedians on Laughing Gas and interviews them while he cleans their teeth. Dr. Brady's comedy often revolves around dental mishaps, patient encounters, and the quirks of running a dental practice, making it relatable and humorous for both dental professionals and general audiences. His performances are a testament to his ability to connect with his audience through his experiences and insights. Dr. Brady's journey from a traditional dental practice to a social media influencer and stand-up comedian is a testament to his versatility and passion for comedy.  

Volcanic Theatre Pub Presents:

Call Down Thunder

Saturday, March 14th 2026

Doors @ 7PM - Show Starts @ 8PM

Presale - $15  Day of - $25

Volcanic Theatre & Soul'd Out Presents:

Lespecial - Tentacle Difficulties Tour

with special guests Yak Attack

Sunday, March 15th 2026

Genre - Mix of prog-rock, metal, funk, hip-hop, dub, and electronic music

Doors @ 7PM - Show Starts @ 8PM

Presale - $25  Door - $35

Lespecial - 

lespecial is redefining the term “power trio”. The multi-instrumentalists from Connecticut continue to push the boundaries of what a three-piece band is capable of both live and in the studio ahead of their latest album, “Odd Times”. The band’s signature blend of “heavy future groove” combines headbanging metal riffage and surgical rhythmic precision with bone shaking 808s, sub synths and ethereal vocal stylings for a dance floor that welcomes moshing, dancing and hip swaying alike. Listeners are taken on a journey to the musical netherworld through esoteric soundscapes punctuated by raw, primal power.

Odd Times, lespecial’s darkest and heaviest record to date, is an enigmatic and compelling musical project that explores the ever-changing nature of time amidst isolation. With heavy riffs, tribal drumming, and hints of levity, it's a captivating journey crafted in collaboration with Havok's David Sanchez. An intriguing blend of old-school metal and modern djent-inspired riffage awaits in this haunting sonic experience.

Yak Attack - 

Yak Attack is a live electronica power trio from Portland, Oregon. The band has been building buzz on the strength of its live shows and the instant connection its music makes with new listeners. Their music is best described as “organic
electronica”, using skillful playing, live loops, and tightly constructed songs combined with raw improvisation to build high-energy and uplifting music from scratch, where every note is played and recorded live. The group draws on influences from a wide spectrum of electronica, such as house, drum and bass, and breakbeat, along with elements of jam, funk, and jazz. The result is a live show that is musically sophisticated but widely accessible, with a diverse and engaged fanbase that travels to out of town shows and festivals to witness the band’s continually evolving sound.

Yak Attack has been selling out local and regional shows and has developed a reputation as “the region’s go to late night act” in the summer festival and afterparty circuit. They spent the early part of 2019 touring in support of live electronic heavyweights STS9 and Sunsquabi, and the band has also shared the stage with emerging acts such as Goose, Fruition, Turkuaz, TAUK, Pigeons Playing Ping Pong, and The Magic Beans. After releasing “Safety Third” on Ropeadope records in 2018, the band is currently recording their fourth full-length album, while making the rounds at national events such as Camp Bisco, Jazzfest, Peach Fest and many new cities across the country. Watch for Yak Attack to bring its unique dance party to a venue near you.

Volcanic Theatre Pub & 1988 Entertainment Presents:

Karaoke in the Pub

Tuesday Nights

Volcanic Theatre Pub & 1988 Entertainment Presents:

AJ Lee & Blue Summit

Support by Skillethead

Thursday, March 19th 2026

Genre - Americana/Bluegrass

Doors @ 7PM - Show Starts @ 8PM

Artist Presale: Wed Oct 22 @ 10am local 
General On Sale: Fri Oct 24 @ 10am local

Volcanic Theatre Pub Presents:

West 22nd - The To Be or Not To Be Tour

with Dipsea Flower 

Friday, March 20th 2026

Genre - Rock

Doors @ 7PM - Show Starts @ 8PM

Presale - $20  Door - $30

West 22nd -

West 22nd is a rock band out of Austin, TX, made up of friends who met at UT Austin and came together with one shared goal: to make music for the world and become the next great rock band. 

Their sound—self-described as carousel rock—spins through genre, emotion, and energy without ever losing its center. It’s a term they coined to capture the controlled chaos of their music: sometimes dizzying, sometimes grounding, always unforgettable. 

From a breakout EP to a debut album that pulled in over 1.5 million streams in its first month, West 22nd has made it clear they’re not here to blend in. Their lyrics are autobiographical, their shows are electric, and their ambition’s impossible to miss. They’ve already played ACL, sold out venues in cities they’d never even been to, and built a fanbase that screams every word right back at them. 

West 22nd isn’t a throwback or a trend—they're what’s next. And if you’ve ever been in a crowd when the chorus hits just right, you already know. 

For the latest updates, upcoming shows, and more, visit their official website: west-22nd.com

Dipsea Flower -

Dipsea Flower is a folk-rock band from California blending West Coast folk with modern indie energy and four-part harmony. Formed during their time at Berklee College of Music, the group plays up-tempo, feel-good songs with the chemistry of four close friends, creating a warm and lively experience. Dipsea Flower’s sound bridges classic folk-rock roots with the grit of modern indie music.

Volcanic Theatre Pub & 1988 Entertainment Presents:

2026 HUMP! Film Festival – Spring Lineup

This event is 21+

Saturday, March 21st 2026

Showing 1 @ 6:30 PM

Showing 2 @ 9:00 PM

Volcanic Theatre Pub & 1988 Entertainment Presents:

Karaoke in the Pub

Tuesday Nights

Volcanic Theatre Pub Presents:

The Thing w/ The Macks & Cptn Over

Thursday, March 26th 2026

Presale - $20  Door - $30

Doors @ 7PM - Show Starts @ 8PM

The Thing - 

What is The Thing? It’s a New York band, sure, but it’s also an ethos. A return to rock & roll’s roots — to garage bands toiling between the family minivans, to groups like the Beatles and their unique alchemy, to tape machines and live band recordings instead of slick studios and myriad songwriters. “We've kind of adapted the ethos of: with restriction comes creativity — old becomes new. And throughout every part of the process that remains true,” says guitarist/vocalist Jack Bradley.

Never is that more apparent than on their self-titled third record, out August 6th on their own label. A rough and tumble suite of 12 songs that nods to everyone from The Kinks to The White Stripes, The Thing sounds like old New York revivicated and remixed. “It showcases all of us, all of our different personalities,” says bassist/vocalist Zane Acord. “In The Thing, we’re a collective band. We hang our hats on being a true band — where we all have the spotlight. I think that gives us a different edge.” That album follows 2023’s debut, Here’s the Thing, and The Things Is, which dropped the following year.

The four members of Thing came from intersecting backgrounds, lending to their rock-and-roll-as-melting-pot vibe. Acord grew up with a drummer dad who hipped him to bands like Led Zeppelin and Grand Funk Railroad; he met guitarist/vocals Michael Carter — an avid Beatles fan — in middle school. The duo went on to collect Bradley in high school, an aspiring producer with a studio in his basement and a yen for psych rock. Jazz drummer Lucas Ebeling linked up with the band when everyone found their way to New York in 2022. They’ve since played more than 300 shows across the world.

The band’s self-titled work, then, is a culmination of all those influences — and all that hustle. “We threw all of our different various influences throughout — all the decades of rock and roll and adjacent genres — and ended up with something of our own,” Bradley says. “Our contribution to the genre. Our style. Our… thing.”

LONG LIVE THE THING.

The Macks -

All the identity and none of the crisis! The Macks are in their own pocket. Your fifth-favorite-band’s fifth-favorite-band are hardened road warriors and goblins of their basement studio.

Virile and award-winning like a show horse, The Macks deliver a sonic-f*****g-circus and they are turning heads around the country and internationally through the airwaves and their touring roadshow.

With their latest LP release, "The Macks are a Knife" The Macks have released their most poised and pungent LP as a result of their think-tank approach to producing records. Released through the indie German label Devil Duck Records, the record is well-crafted and powerful, showcasing the band's most realized collective studio work to date. With a lineup that has the group firing on all cylinders both live and in the studio, The Macks have folks tuning in and spelling it right.

Cptn Over - 

CPTN OVER is a high-energy rock/psych/garage/whatever band based in Bend, OR.

Volcanic Theatre Pub & 1988 Entertainment Presents:

Pedro the Lion

Friday, March 27th 2026

Presale - $25  Door - $35

Doors @ 7PM - Show Starts @ 8PM

For thirty years, David Bazan has been writing about what it means to believe in something—and what it means when those beliefs fray. When Pedro the Lion released It's Hard to Find a Friend in 1998, Bazan was already a keen observer of moral and existential conflict, capturing minor human disappointments with devastating attention. By the time Control came out, his writing had sharpened, slicing through suburban politeness and the American dream with pinpoint precision. For over a decade, he built Pedro the Lion into one of indie rock's most quietly radical projects, chronicling doubt, faith, guilt, and the messy pursuit of grace in a way that felt both deeply personal and
universally resonant.

Then, in 2006, he retired the Pedro the Lion moniker, as if setting down an old burden. Bazan kept writing, releasing the synth project Headphones and five solo albums that
were blunt and revelatory in their own right, but the decision to retire the name felt definitive. Until, suddenly, it wasn't. In 2017, after being dormant for more than a decade, Pedro the Lion was back. The deeply autobiographical albums to follow, Phoenix, Havasu and Santa Cruz, marked a return to the places that shaped him literally and metaphorically, tracing the lines of the past to understand the shape of the present.

Now, on the occasion of Pedro the Lion's 30th anniversary, Bazan is doing what he does best: stepping onto a stage with long-time musical collaborator, Erik Walters on guitar and backing vocals, along with recent addition to the band, Andrew Rudd on drums, and making these songs feel brand new again. The anniversary shows are less about commemoration than they are continuation, a chance to revisit their 30-year catalog in a way that is still active, still evolving.

"The name felt like an imaginary friend for me," he says, "a way to have a relationship with myself." But if Pedro the Lion was once an imaginary friend, it is now something else. It is less like a ghost from the past and more like an old companion you fall back in step with, no matter how much time has passed. For all the sorrow and searching that has shaped it, the music has always had an essential warmth—a belief in people, in possibility, and in the redemptive power of bearing witness to your own life. Three decades in, Pedro the Lion remains a project about faith, even if that faith has taken on new shapes. It's the persistent hope that there is meaning in the telling: if you lay it all out, every doubt and devotion, every failure and flicker of hope, something honest will emerge.
- Danielle Dietze

1. Volcanic Theatre Pub & 1988 Entertainment Presents:

   Bass in Bend - a local DJ showcase

   Saturday, March 28th 2026

   Doors @ 8 PM 

2. This show is 21+ 

Back by popular demand… the Bass returns to Bend.

Bass in Bend is taking over Volcanic Theatre Pub on March 28 for another night of deep frequencies, and underground energy.

Featuring:
LabRat, ROMZ, Ground$core, Shalyssa B2B Eyeneye

Live performances by High Desert Fire Arts


If you know, you know.
Round two is about to hit harder.

Volcanic Theatre & 1988 Entertainment Presents:

L.A. Witch w/ Daiistar & -ether

Sunday, March 29th 2026

Genre - moody blend of garage rock, psychedelic rock, and surf rock

Presale - $20  Door - $30

Doors @ 7PM - Show Starts @ 8PM

L.A. Witch -

L.A. Witch have always exuded an aura of effortless cool, whether it manifested as the Americana noir and laconic back-to-basics rock n’ roll of their self-titled debut or the blistering austere adventurism of their sophomore album Play With Fire. The band—comprised of Sade Sanchez (guitar/vocals), Irita Pai (bass), and Ellie English (drums)—began as an informal affair, but the sultry and beguiling reverb-draped songs they created caught on with the public, moving the project beyond the insular space of the band’s friends and peers in Southern California into the broader world. On their latest album, DOGGOD, the trio push their craft beyond their previous creative and geographical confines, opting to craft the material in Paris, recording the tracks at Motorbass Studio on the Rue de Martyrs. DOGGOD explores broader swaths of sonic terrain, employs a greater arsenal of tones, and probes larger existential and cosmic themes, all while retaining the band’s signature sense of the forbidden, the forsaken, and the foreboding.

DOGGOD is a way of tackling the universal riddle tangled in the spiritual nature of love and
devotion. “I feel like I’m some sort of servant or slave to love,” says Sanchez. “There’s a willingness to die for love in the process of serving it or suffering for it or in search of it… just in the way a loyal, devoted servant dog would.” The album title is a palindrome fusing together DOG and GOD—an exaltation of the submissive and a subversion of the divine. It’s a nod to the purity of dogs and an acknowledgement of their unconditional love and protective nature that’s at odds with the various pejoratives associated with the species. “There is this symbolic connection between women and dogs that expresses women’s subordinate position in society,” Sanchez explains. “And anything that embodies such divine characteristics never deserved to be a word used as an insult.”

These conflicted explorations of love and subservience manifest themselves in L.A. Witch’s fusion of their trademark smooth and smoky garage alchemy with a newfound utilization of post-punk’s disciplined reserve and icy instrumentation. Album opener “Icicle” captures the band journeying out of the proto-punk, psychedelia, and gritty riffage of the ‘70s into the chorus-drenched guitars and forlorn minimalism of Joy Division and early The Cure. A parallel is drawn between romantic suicide and martyrdom that carries over into the second song, “Kiss Me Deep.” Here Sanchez describes a love so pure that it transcends time and carries over into multiple lifetimes. It’s a song about passion delivered in the worldly and wounded stoicism of early goth pioneers. From there, the band segues into the lead single “777,” a song about devotion to the point of death. A propulsive beat, a driving distorted riff, and Sanchez’s ethereal vocals come together to create a song that’s both dire in its fatalism and sensual in its faithful passion.

Across the entirety of DOGGOD, L.A. Witch never strays from their muse. On “I Hunt You Pray,” Pai lays down a hypnotic bass throb while English employs a cyclical krautrock groove and Sanchez paints a picture of an abandoned dog on the roadside, alone in the night, living as both the hunter and the hunted. On “Eyes of Love,” the band harnesses the meditative mid-tempo repetition, deconstructed chords, and esoteric ruminations on love, death, and spirituality that made Lungfish such a beloved entity. It reinforces the parallel between the unwavering love seen in the eyes of a dog and the self-sacrifice of a savior. On “The Lines,” the band takes the propulsive pulse of post-punk and adds an extra dose of chorus to the mix. “Chorus is a modern effect that comes from the idea of replicating the slight pitch discrepancies of a choir. There is a shimmering quality which ties us back into this spiritual godly feel,” Sanchez explains. Coupled with the addition of organ and applied to a brooding minor-key melody, the song simultaneously conjures both the holy and the sacrilegious. The title track “DOGGOD” bears perhaps the strongest resemblance to the material found on the previous album Play With Fire, pitting lean and mean guitars against a scrappy rhythm section and dreamy vocals. But whereas their previous album was a rallying cry to carving one’s own path, “DOGGOD” adheres to the album’s “til death do us part” theme, going so far as to describe a level of submission that crosses over into dangerous and unhealthy places, with Sanchez singing “hang me on a leash / ‘til I wait for my release.”

Ultimately, DOGGOD is a perfect encapsulation of L.A. Witch’s approach. It’s simultaneously romantic and menacing, reverent and profane, a celebration and a lament. It finds the thread between the past and present, taking familiar sounds and revamping them for the modern age. But it also heralds a new era for the band, looking beyond the Kodachrome memories of midcentury America and digging deeper into the medieval and gothic energies of Paris and beyond, all while probing inward at a sullied heart.

DAIISTAR -

DAIISTAR is an Alt-Indie band formed in Austin, Texas in the spring of 2020. The band takes their inspiration from the neo-psychedelic era of the 80s and 90s (The Jesus and Mary Chain, Spacemen 3, Primal Scream) and pulls it into the future with modulating synthesizers, heavy guitars, bouncing bass lines, and spiraling hooks, creating a narcotic blend of noise and melody. DAIISTAR recorded their first studio album produced by Alex Maas of The Black Angels and engineered by James Petralli of White Denim in the summer of 2021. The band signed to UK based label Fuzz Club Records with their debut album GOOD TIME released on September 8th 2023. The album is available on vinyl including a Levitation Exclusive Edition pressing, as well as CD and digital. DAIISTAR has performed at SXSW, Levitation Austin, Levitation France,  Barcelona Psych Fest, KEXP, KUTX and has toured with The Black Angels, The Brian Jonestown Massacre, and The Dandy Warhols. In May 2024 DAIISTAR released a 7" Limited Pressing of their single "Clear" Backed by Spacemen 3 co-founder Peter Kember aka SONIC BOOM's remix of the ‘Good Time’ album track "Velvet Reality" on the B-side.

-ether - 

-ether is a shoegaze band from the Pacific Northwest, featuring Jay Davis (bass, guitar, vocals), Cosmia Way (bass, guitar, vocals), Charlemagne Peatross (guitar), and Logan Anderson (drums). Originally known as DEAD NETTLE, they evolved from punk roots to create a unique blend of atmospheric ambient noise and engaging aggression.

Their music, influenced by early Sonic Youth, They're Gutting a Body of Water, and Bardo Pond, delves into themes of mental health and raw emotions. Jay and Cosmia’s rotation between leading vocals and instruments brings a dynamic layer to their sound.

Having performed across the PNW and received attention for their tape-recorded EP, -ether is now focused on their upcoming album release and PNW tour.

Volcanic Theatre & 1988 Entertainment Presents:

• • Yellow Days

  • w/ Rue Jacobs

  • Genre - indie soul-pop

  • Monday, March 30th 2026

  • Doors @ 7PM - Show Starts @ 8PM

  • Presale - $25 Door - $35

  • Noted for throaty, yearning vocals that accompany his swimmy indie soul-pop, Yellow Days is the performance alias of British musician George van den Broek. After some early releases during his teenage years, he began to gain traction with 2017’s full-length Is Everything Okay in Your World? Switching locales to Los Angeles, his follow-up, A Day in a Yellow Beat, appeared in 2020. Two years later, the pandemic-inspired EP trilogy Slow Dance & Romance, Apple Pie, and Inner Peace was steeped in psychedelic soul.

  • Born in Manchester, England, and raised in Haselmere, van den Broek’s musical endeavors began when he got a guitar for Christmas at the age of 11. With influences that include Ray Charles, Mac DeMarco, and Thundercat, he started releasing stand-alone singles as a teen in late 2015. His debut EP, Harmless Melodies, arrived in November 2016. Yellow Days continued to release periodic singles in 2017, some of which appeared on his debut LP, Is Everything Okay in Your World?, that October. It featured a guest spot by hip-hop artist Rejjie Snow. Early the next year, “Gap in the Clouds,” from his first EP, reached a broader audience when it accompanied the trailer for the second season of Donald Glover’s show Atlanta. Yellow Days followed up in April 2018 with the single “The Way Things Change” and a week’s worth of club shows in the U.S. that quickly sold out, before continuing the tour in Europe. The musician’s sophomore effort arrived in 2020: titled A Day in a Yellow Beat, the project was written and recorded primarily in L.A., with van den Broek sourcing new inspiration from local collaborators.

  • Yellow Days’ next undertaking was a set of three self-produced EPs released throughout 2022 and consisting of a combined 17 songs. Slow Dance & Romance began the series in April, with Apple Pie following in July, and Inner Peace closing out the project in September. Conceived and recorded during the early part of the COVID-19 pandemic, they were said to represent a catalog of his “mindset in lockdown.” ~ Marcy Donelson

• Rue Jacobs -
• Los Angeles-based artist Rue Jacobs blends soul, jazz, and cinematic soundscapes into music that feels both intimate and expansive. Drawing from vintage soul textures and improvisational jazz, he creates immersive, late-night grooves rooted in feeling and atmosphere.
  Joining Yellow Days on tour, Rue brings a warm, transportive live set — piano arrangements and songs that linger long after the lights come up.

Volcanic Theatre Pub & 1988 Entertainment Presents:

Karaoke in the Pub

Tuesday Nights

Volcanic Theatre & 1988 Entertainment Presents:

• • LSD and the Search for God

  • Genre - Shoegaze/Psychedelic Rock

  • Wednesday, April 1st 2026

  • Doors @ 7PM - Show Starts @ 8PM

  • Presale - $26 Door - $35

  • LSD and the Search for God hit the Northern California coast in 2005––seemingly from another place and time––dosing San Francisco with hypnotic shows built upon swirling guitars, otherworldly drones, fuzzed-out pop melodies, and dreamy vocal harmonies.

    With reviews of early shows and recordings drawing comparisons to My Bloody Valentine, Slowdive, Yo La Tengo, Spacemen 3, and Sonic Youth, the band quickly developed a must-see reputation within the underground psychedelic music scene.

    When LSD finally released their self-titled debut EP (Mind Expansion Records, 2007) it sold out from the record label prior to the official release date. It earned critical acclaim and continues to frequently appear on lists of essential shoegaze releases. The EP was twice reissued on vinyl (Deep Space Recordings, 2008, 2015), twice on cassette (Cellar Door Tapes, 2015), and selected tracks were featured on three compilations: Mind Expansion Vol. 1, M.E. Vol. 2, and Australian nugazer compilation Take Me on the Wildest Spree (Rubber Records/EMI, 2008).

  • LSD's most recent release, Heaven Is a Place (Space Age Recordings, 2016), captures a snapshot in time soon after Ricky Maymi (Brian Jonestown Massacre) temporarily joined the band on drums. Like the self-titled EP, it garnered critical acclaim and frequented many Best Of lists. Pop Matters calls it, "a long-awaited sermon for the faithful and a blazing induction for new converts," while Primal Music says it's "another astonishing collection of five psychedelic stories glistening with the same spaced out ingredients that blew my mind way back in 2007."

  • LSD's time and space travels have led them all over the U.S., Canada, and Europe, including tours with Martin Rev (Suicide), Sonic Boom (Spacemen 3), and The Telescopes, as well as appearances at Levitation--Austin Psych Fest, SoCal's Desert Daze, Manchester's Cosmosis Festival (with The Jesus and Mary Chain), Bathysphere (with A Place To Bury Strangers), twice at Desert Stars (first with Black Rebel Motorcycle Club, then The Dandy Warhols), Calgary's Garbage Daze, and Portugal's Reverence Valada (with The Damned, The Oh Sees, and Silver Apples).

  • A new record is currently in the works.

Volcanic Theatre Pub and 1988 Entertainment Presents:

90s Rock Night w/ Chained to Stone & the Trapper Keepers

Friday, April 3rd 2026

Doors @ 7PM - Show Starts @ 7:30PM

Chained to Stone -

A dynamic 90's grunge cover band bringing the iconic sounds of the era to life with their authentic performances. From the gritty riffs of Nirvana and iconic vocals of Alice in Chains, to the emotive melodies of Stone Temple Pilots, the band captures the raw energy and spirit of the grunge movement. Known for their powerful vocals and precise melodic renditions, Chained to Stone delivers a nostalgic experience that takes audiences back to the heart and soul of the 90’s, and the music that etched its place in rock history.

The Trapper Keepers -

The Trapper Keepers are a 4 piece party band from Bend OR. They specialize in 90’s tunes ranging from punk to pop. The Trapper Keepers will play plenty of favorites, some deep cuts, and put their own spin on some classics. High energy and full of surprises, The Trapper Keepers will keep you on your feet, and on your toes! So grab your Lisa Frank folder, slap on a bracelet, feed your tamagotchi, and come party!

Volcanic Theatre Pub and 1988 Entertainment Presents:

NOT.GREENDAY w/ Keep Flying & the Emergency Exit

Saturday, April 4th 2026

Doors @ 7PM - Show Starts @ 8PM

NOT.GREENDAY -

The worlds most dangerous tribute to the band we are NOT. 

A live Green Day experience by fans for fans. 

Performing "dookie" in its entirety along with hits and deep cuts from every era of Green Day's iconic catalog that spans over four decades, NOT.GREENDAY delivers a high energy 90+ min set of pure nostalgia. 

Join us in celebrating Pop Punk legends, Rock and Roll Hall of Fame Inductees, and 20 time Grammy Nominees, GREEN DAY, with the nation's premiere tribute act, NOT.GREENDAY. Performing hits and deep cuts from every era of Green Day's catalog spanning over four decades, including songs from; 39/Smooth, Kerplunk, Dookie, Insomniac, Nimrod, Warning, American Idiot, 21st Century Breakdown, ¡UNO!/¡DOS!/¡TRÉ!, and Revolution Radio! As 4 die-hard, lifelong Green Day fans, NOT.GREENDAY brings a high energy, non-stop performance that is guaranteed to have you dancing and singing along in a sea of nostalgia. 

NOT.GREENDAY is:

CAMERON SCOTT MOORE - LEAD VOCALS & GUITAR

MARK BROWN - BASS & VOCALS

ASHTON ADAMS - DRUMS

SAMMY DIAZ - LEAD GUITAR

Volcanic Theatre Pub & 1988 Entertainment Presents:

Karaoke in the Pub

Tuesday Nights

Volcanic Theatre Pub and 1988 Entertainment Presents:

Boot Juice w/ Left on Tenth

Thursday, April 9th 2026

Presale - $20  Door - $30

Doors @ 7PM - Show Starts @ 8PM

Boot Juice - 

The evolution of Boot Juice has been a magnificent phenomenon to behold over the past few years. This seven-piece band from Davis has done things the old-fashioned way – earning everything they have with blood, sweat and tears shed on stages throughout the region. It’s been more sweat than anything else based on the practically inhuman volume of energy output they generate throughout the course of their relentless performances.

Boot Juice defies the typical assumption that a big band with horns is sticking to the well-worn path of funk and jazz. They certainly infuse those genres into the mix. More than anything though, this is an unabashed cosmic rock band intent on taking audiences into an alternate dimension of pure freedom and dance euphoria where the outside world ceases to exist. Their three-part vocal harmonies carry major impact with intoxicating doses of soul, blues and sultry appeal. The passionate musicianship and group synergy resonates in their pure sense of joy. Drawing favorable comparisons to the sound of The California Honey Drops and the spirit of the Talking Heads, you’ll have no doubt that the refreshing originality of Boot Juice always has a firm grip on the wheel.

Left on Tenth - 

Left on Tenth is group of friends who started playing music together on 10th Ave. in Bozeman, MT in 2016. They share a passion for playing live music and creating a fun, enjoyable atmosphere. Their music manifests itself into a variety of genres from funky groves, to hard driving rock, to reggae, ska and Latin inspired tunes, to slower sensual ballads. Since nothing is off the table every Left on Tenth show is a little different, but always guaranteed to be an unforgettable performance for those in the crowd as well as on the stage.

Volcanic Theatre Pub & 1988 Entertainment Presents:

Quatro - a stepdown to quarterpipe snowboard/ski competition

Friday, April 10th 2026

6:00 PM - 10:00 PM, Signup to compete starts at 5:00 PM

FREE entry for spectators

Located between Volcanic Theatre & Goodlife Brewing 

Volcanic Theatre Pub, 1988 Entertainment, & Beat Lab Radio Presents:

Champagne Drip 

with Matt Wax, Welterweight, and Sylk

Friday, April 10th 2026

Genre - Dance/Electronic 

Presale $30 - Day of $40

This show is 21+

Champange Drip -

Champagne Drip dominates cutting-edge bass music with melodic, vibey tracks that deliver euphoric highs and emotional depth. Boasting multiple songs with millions of plays, his biggest hits—"Kaleidoscope" (featuring Crystalline, from the Starman EP on WAKAAN) and the single "Me & You" (with Luci)—each approach 20 million streams, highlighting his talent for immersive, crowd-moving sound.

Remixes for Skrillex, Zeds Dead, Diplo, and Dillon Francis, plus collabs with Zeds Dead, Liquid Stranger, and LSDREAM, have earned champion support from Excision, Skrillex, Aphex Twin, Zeds Dead, and Liquid Stranger. His sets span bass music’ s full range—highenergy, intensely feeling, and boundary-free—lighting up tours with Excision and Liquid Stranger, plus festivals like EDC Las Vegas, Electric Forest, and Lost Lands.

Influenced by 90s legends (Metalheadz greats, Technical Itch, Aphex Twin, Underworld, The Prodigy, Richie Hawtin) and early global DnB travels, Champagne Drip brings bold intelligence and approachable vibe to every release and performance.

Volcanic Theatre & 1988 Entertainment Presents:

• • Satsang (Solo) - The Story of You 10 Year Anniversary Tour

  • Support by Joey Harkum (Solo)

  • Genre - indie soul-folk

  • Saturday, April 11th 2026

  • Doors @ 7PM - Show Starts @ 8PM

  • Presale - $30 Door - $40

  • Satsang -

  • Drawing inspiration from a diverse array of musical traditions, Satsang's sound is characterized by rich harmonies, infectious rhythms, and thought-provoking lyrics that resonate with audiences across the globe. With roots in the mountains of Montana, Satsang's music reflects the natural beauty and spiritual depth of his surroundings, while also addressing contemporary issues and themes.

    At the heart of Satsang's music is a message of unity, self work, and mindfulness. Through the uplifting melodies and introspective lyrics, the music encourages listeners to reflect on their own experiences, cultivate positive change, and embrace the interconnectedness of all beings.

    With a reputation for captivating live performances and a dedicated fan base, Satsang continues to inspire audiences with his soul-stirring music and heartfelt lyrics. Whether performing at intimate venues or large festivals, the show's infectious energy and profound message leave a lasting impression on all who hear it.

    In a world that often feels divided, Satsang offers a beacon of hope and positivity. Reminding us all of the transformative power of music, intention, and community.

    Joey Harkum - 

  • For his entire life Joey Harkum has been strumming a guitar and after a decade of touring as the lead singer and songwriter of Baltimore-based band Pasadena, he released his debut solo album, Love and Labor, to critical acclaim in 2016. Along with a relentless touring schedule Joey has most recently been working on his 5th studio album One Foot In The Grave' which released on August 22nd 2025. The album saw a cross country tour to support the release extending from fall into winter.

    
    

    Known for his deep and poignant lyrics telling stories of joy, love, loss and sadness, Joey brings the human experience to life through his relentless tour schedule that culminated in the release of Live at Buffalo Iron Works in 2018. 2020 brought new challenges but Joey responded with writing and recording new music and released his album Storyboard in March of 2021. Immediately following the release of Storyboard, he started work on his follow up album Salt and Tar which was released in spring 2022 and followed by his 4th studio album The Art Of Revenge which was released in March of 2024. Catch him on tour now or online at joeyharkummusic.com.

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